Entertainment
Superman is the jumpstart that DCU desperately needed
Even if the story could use a bit more fleshing out
Growing up, I never thought much about Superman. To me, his plain Boy Scout image made him much less badass than the quip-throwing Spider-Man or the ring-wielding Green Lantern. Of course, decades since his rise as the world’s first archetypal superhero, Superman can now bounce between different themes, including being cast as a messianic figure or as an allegory for immigration.
James Gunn’s Superman doesn’t reinvent the wheel, but it does tap a different well. His version of the superhero goes beyond the stereotypical good boy or the over-philosophized coming of God. It’s a refreshing take but not without its imperfections.
Superman is not an origin story.
As was evident from the film’s world tour, Superman does not want to retell the same origin story. We won’t see baby Kal-El crash in Kansas or watch his troubled upbringing as a superpowered teenage boy.
Instead, Gunn wants a bolder approach where everything is already set up from the beginning. The film starts with Superman (David Corenswet) already being a fixture in Metropolis, with Lois Lane (Rachel Brosnahan) already dating Clark Kent, and with Lex Luthor (Nicholas Hoult) already hating Superman. More specifically, the film starts with Superman already defeated.
Outsmarting Superman, Luthor infiltrates the Fortress of Solitude and acquires the corrupted message that Kal-El’s parents sent with him prior to the destruction of Krypton. Luthor restores the message’s entirety with his own technology and discovers that Superman’s mission is much less benevolent than anyone, including the hero himself, thought. And so begins Superman’s quest to discover who he truly is and what he can become.
Underneath all this is the question of what superheroes should do. The world questions Superman’s interventionist intentions after he prevents Boravia (a country that definitely, positively, surely isn’t an analog for Russia) from invading Jarhanpur, a militarily weaker nation.
Whereas the Marvel Cinematic Universe and DC’s previous iterations waited years to tackle the problem of superheroes in the world, the DCU is dropping audiences right in the thick of things.
Superman is an immigrant story.
With this premise, the film can easily rehash Zack Snyder’s old vision of turning Superman into a benevolent god figure destined to rule over mankind. But Gunn doesn’t.
Superman in this film is portrayed as an immigrant finding his place in an Americanized world. The hatred he faces is intense and unfortunately timely. Luthor often calls him as “the alien” and an “it”. Once the truth of his parents’ message comes out, the government turns on him and asks for his arrest.
The plot’s eerie similarities with what’s going on in the real world isn’t lost in translation. It’s a take that finally embraces Superman’s side as an immigrant in America.
Unfortunately, Superman’s qualities as an immigrant loses some of its appeal because of what the film takes as already given: the Kents, Lois’s love, Lex’s hate. Superman says that, despite what people think of him, he’s capable of love, of doing good. It’s a statement that’s a bit hard to swallow when we hardly see Clark and Lois dating or Clark spending quality time with his parents.
Gunn’s bold decision to start in media res might have compromised the film as a story on its own. It could have benefitted from another half hour to really establish Superman’s relationship with his friends and family. But, alas, that’s the cost of jumpstarting both DC’s iconic hero and the entire cinematic universe.
Superman is still an origin story.
Of course, that’s not to say that the film is bad by any means. The two-hour runtime flew by so quickly without a hint of boredom.
As Gunn promised, watching Superman feels like picking up a random comic book in the middle of a run. Sure, there are a bunch of characters you might not know or recognize, but that’s part of the fun. It’s guaranteed to get you hooked on the world and buy the next issue.
While there are a few imperfections with the film as its own story, Gunn’s ability to build a world from the ground up is still top notch. It’s not a rehash of what came before.
For example, Superman can be defeated with just plain brutality. Luthor doesn’t have to rely on the same old kryptonite. The superhero isn’t a cheat code; he’s vulnerable.
The Justice League, as know them, doesn’t exist in this universe (or, at least, not yet). Instead, we have a ragtag band composed of the braggadocious Guy Gardner as Green Lantern (Nathan Fillion), the lackadaisical Hawkgirl (Isabela Merced), and the hyper-intelligent Mister Terrific (Edi Gathegi). These are not the usual characters a budding universe relies on to build a superteam, but Gunn, as always, loves his misfits.
Ultimately, it doesn’t matter. Gunn’s DC Universe is already off to a great start. Besides the intriguing starting lineup, the film also offers glimpses into everything else brewing for the sprawling universe. There are blink-and-you-miss-it references and surprise cameos aplenty. If you’ve been following the torrential news cycles for this film, then you’ll have an idea of what or who might show up. Even if it lacks MCU-level surprises, these should be enough to get you interested in what’s coming next.
It’s not an origin story for Superman himself, but it’s an origin story of what might be the most promising iteration of the DC Universe so far.
Should you watch Superman?
Superman definitely lacks the polish that James Gunn often adds to his more complete successes like The Suicide Squad and Guardians of the Galaxy. It still kept me engaged for all of two hours, though. It’s an amazing superhero film.
And, in the end, Superman does spectacularly what it was set out to do: reboot the DC Universe according to James Gunn. I’m more than excited to see his next chapter.
Superman is out now in cinemas nationwide.
Disney+ has significantly expanded its sports offerings on the streaming platform with the addition of the 2026 March Madness.
Both the NCAA Division I Men’s and Women’s Basketball Tournaments — one of the most anticipated events in American collegiate sports — will be streamed live on Disney+. This marks the expansion of ESPN’s global NCAA rights agreement onto the platform.
Both tournaments feature high-stakes, single-elimination formats with 68 squads each, building suspense from the opening rounds to the iconic Final Four.
Entering the 2026 tournament, the University of Florida Gators and University of Connecticut Huskies return as defending men’s and women’s champions, respectively.
The March Madness integration leverages ESPN’s long-standing NCAA rights portfolio, which includes more than 40 championship events.
ESPN has been the exclusive broadcaster for Women’s March Madness for over three decades now, and the development marks a strategic shift to bring live collegiate sports to Disney+ audiences across several regions.
The development also comes after the recent global rebranding of Star to Hulu, as well as the integration of live NBA games.
With a unified interface, there’s even more sports content for subscribers to browse, ranging from live broadcasts to acclaimed sports documentaries.
There’s the 30 for 30 series, Bad Boys, D. Wade: Life Unexpected, Dream On, and even The Last Dance featuring Michael Jordan and the Chicago Bulls’ 1997-98 run.
To be honest, I didn’t expect to like Project Hail Mary. I assumed that the decision to reveal the book’s biggest plot twist in the trailer was a mistake. I thought that the two-and-a-half-hour runtime might be too long. I worried that a hard sci-fi story like this one would be hard to translate into a feature-length film. Thank goodness I was wrong.
Project Hail Mary adapts Andy Weir’s novel of the same name. Indeed, that’s the same Andy Weir who wrote The Martian. Ryland Grace (Ryan Gosling), a molecular biologist, wakes up in an interstellar ship without his memory. With everyone else on board dead, he must find the answers to two questions on his own: who he is, and why he’s far away from Earth.
Though a soul-searching mystery might be entertaining in its own right, it wouldn’t be an Andy Weir story if it didn’t have some MacGyvering in space. Grace’s mission is apparently one of global importance. When a spacefaring virus starts to feed on the Sun and other surrounding stars, Earth sends a mission — that is, Ryland Grace and his deceased crewmates — to Tau Ceti, a faraway star somehow immune to the so-called astrophages.
Less problem solving, more emotion wrangling
Despite Weir’s tendencies to throw his protagonists into problem after problem, Phil Lord and Christopher Miller, who directed the adaptation, offers a more emotional story. Now, make no mistake; the original novel is already a tearjerker, but the film ups this even further by masterfully adapting the story’s most iconic character, Rocky.
Upon reaching Tau Ceti’s orbit, Grace realizes that he’s not alone. He isn’t the first visitor to the mysterious star. An alien spaceship is already orbiting the star. However, far from visions of War of the Worlds, this particular alien has a single mission: to save their own star from the same astrophages.
Rocky, as Grace calls them, looks like a living rock. Initially unable to communicate with the alien, Grave eventually builds a friendship with Rocky by translating the latter’s chirps to human words.
In the book, Rocky communicates with Grace (and the reader) through the broken English from a translating software. Naturally, the film adaptation offers more creative freedom. Instead of just text, Rocky gets a voice, thanks to James Ortiz, who offers a friendly-but-snarky character to the alien. As a result, Rocky feels more like a sidekick than just a (literally) alien entity.
Though it comes at the cost of some science-filled problem solving, Rocky’s slight change is more cinematic and can tug tighter at the heartstrings.
A healthy dose of humor
Rocky’s voice isn’t the only change. Despite the long runtime, the adaptation already prunes or shortens plot beats from the novel.
To be fair, all these changes don’t detract from the essence of the novel. Sometimes, they simplify. Other times, Lord and Miller infuse their trademark humor, which can be jarring for those expecting a more technical sci-fi story. But again, the novel’s spirit is still intact.
If anything, the added humor keeps the film entertaining throughout two-and-a-half hours. Now, if you’re tired of the so-called “Marvel humor,” there are moments of slapstick and snark sarcasm that pushes the limits of typical movie tropes. It’s just the price that an adaptation like this has to pay. Project Hail Mary’s plot is too complex to condense into the archetypal 90-minute window.
As someone who read and loved the original novel, it was difficult to see stitches between the book’s story and the screenplay’s changes. And I think that’s what makes the adaptation work so well.
Should you watch Project Hail Mary?
Project Hail Mary is as faithful as an adaptation can be. It doesn’t change the story for the sake of Hollywood. All the changes you’ll see are just ways to keep audiences engaged because of the long story. If you loved the book, there’s no way you wouldn’t love the adaptation, too.
Now, if you haven’t read the book, firstly, you’ll still love this movie. It’s a highly compelling story with high stakes and an emotional rollercoaster. Secondly, read the damn book. It’s a masterpiece of science fiction.
Entertainment
KPop Demon Hunters is officially getting a sequel
Maggie Kang and Chris Applehans will return to write and direct.
This feels like a formality at this point. Netflix and Sony have officially confirmed that KPop Demon Hunters is getting a sequel.
If you feel like you’ve read this exact title before, then you’re not alone. Since its massive success last year, the hit animated film constantly spawned talks of a potential franchise. It probably helped that the title quickly became Netflix’s most-watched film of all time. From the last we’ve heard of the rumors, Netflix was reportedly eyeing a 2029 premiere for the sequel.
Now, it’s official. As posted by Netflix itself, KPop Demon Hunters will get a sequel soon. Even better, the follow-up will be written and directed by the same duo, Maggie Kang and Chris Applehans.
Kang, who celebrated the first movie’s ability to tell a Korean story, says that there’s a lot more to explore in the film’s universe. “There’s so much more to this world we have built and I’m excited to show you. This is only the beginning,” she said.
Right now, the plot’s sequel is still unknown, especially since the Saja Boys were defeated in the first film.
Given how big the original movie got, the sequel is no surprise. Besides bagging the top spot on Netflix’s charts, the film also got an eventual release in theaters. KPop Demon Hunters is up for a potential Oscars win after it was nominated for Best Animated Feature. Its hit song, “Golden,” is also nominated for Best Original Song.
SEE ALSO: KPop Demon Hunters is now Netflix’s most-watched movie
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