The Foro Italico looks different when it’s ringed by Vespas, as seen when the iconic landmark hosted the four-day festivities of Vespa Roma 2026 — 80 Years of an Icon.

Mayor Roberto Gualtieri led the ribbon-cutting ceremony, and for four days, the Vespa Village makes the loudest argument anyone has ever made for scooters as cultural objects.

Opening day did not ease into things gently. First, the Istituto Poligrafico e Zecca dello Stato unveiled an official commemorative coin.

Soon after, Poste Italiane marked the occasion with a first-day cancellation ceremony for a special anniversary stamp.

Meanwhile, at the Stadio dei Marmi, curator Giacomo Bretzel opened 80 Years of an Icon – The Exhibition. This photographic account traces the remarkable journey of the vehicle.

Specifically, it shows how a basic scooter graduated from the factory floor to global cultural shorthand. It evolved from simple personal transport into a cinematic protagonist that people now ride across entire continents.

Only 1,946 of them

The number is deliberate. The Vespa Edizione Ottantesimo is limited to exactly 1,946 individually numbered units, one for each year the original rolled out of the Pontedera factory.

Vespa built it on the GTS 310 platform, which puts 25 horsepower through a single-cylinder 310 hpe engine, making it the most powerful Vespa in current production.

That mechanical upgrade sits inside a design that is genuinely doing something. The finish mimics raw, unprocessed steel. It’s textured and rough in a way that references the original load-bearing body before decades of refinement and lacquer softened everything.

A specific shade of green — pulled from the earliest single-color production models — accents the saddle and wheel rims. The rear seat comes with a removable hard cover that matches the bodywork. A direct callback to vintage racing fairings.

The wheels reinterpret the pressed sheet metal of the 1946 Vespa 98 with a diamond-cut channel finish.

On the side panels, a three-dimensional green numeral 80 sits inside a hexagonal bolt contour. The bolt shape itself highlights how artisans originally built these machines by hand.

A numbered plaque rests inside the under-seat compartment, and a matte grey helmet ships with every unit. None of these design choices are purely decorative. Instead, they each trace a straight line directly back to 1946.

Modern enough to use every day

The Edizione Ottantesimo features electronic traction control and ABS to handle unpredictable city roads. These safety systems adjust your grip before you even have time to react.

Meanwhile, full LED lighting keeps the road perfectly sharp after sunset. Up front, a 5-inch color TFT display runs the intuitive VESPA MIA connectivity system. Consequently, your route and incoming calls surface on the dash without you reaching for your pocket.

Beyond the display, a keyless ignition system allows you to simply unlock the scooter and go. Vespa even considered the smaller details to maximize daily utility. For example, courtesy lights illuminate both the rear shield and the under-seat compartment. This layout ensures you stop fumbling in the dark for your helmet and gear.

Crucially, none of these additions change what a Vespa fundamentally is. The chassis remains narrow enough to split lanes and light enough to park anywhere. Ultimately, these premium updates close the gap between a 1946 icon and a machine you want to ride every morning.

Beyond the Handlebars

To complement the vehicle, each Edizione Ottantesimo ships with an exclusive coffee table book from Assouline. The volume draws from the Piaggio archive to document eight decades of design, film, and travel.

Furthermore, owners can extend the package with premium accessories. Available add-ons include a color-matched 36-liter top box, luggage racks, side bars, and an anti-theft system.

Vespa Roma 2026

Currently, allocations are open online at edizioneottantesimo.vespa.com. Vespa strictly capped the total count at 1,946 units, and that number will not go up.

When Superman premiered last year, it was carrying over a decade’s worth of baggage from the ultra-gritty Snyderverse. It held the promise of a fresh superhero world that emphasizes fun. Now, Supergirl is no different. Whereas Superman was tasked with restarting a dying cinematic universe, Supergirl wants to prove that the former wasn’t just a one-hit wonder, and it does exactly that amid a few struggles.

Though David Corenswet’s Superman does make quite a few cameos in the film, Supergirl is about Clark Kent’s titular cousin. It’s also based on the award-winning book, Supergirl: Woman of Tomorrow, written by Tom King.

Celebrating her 23^rd birthday, Kara Zor-El travels to planets with a red sun, the only places where she can get drunk as a Kryptonian. In one planet, she meets Ruthye Marye Knoll, who, after seeing Supergirl’s resilience, asks Kara to hunt Krem, the leader of the Brigands who killed her whole family. Kara initially refuses, but when Krem poisons Krypto, her dog, she goes off on her own to find the Brigand.

A classic tale of revenge

As with the original book, Supergirl is a tale of reluctant revenge instigated by a child desperate for it and a more mature mentor who knows better. Despite Kara’s nihilistic tendencies, she believes that revenge isn’t the right path for Ruthye.

It’s your standard fare of a revenge tale, somewhat bordering on a classic Western. In essence, it follows much of the structure of the original book. There are, however, some interesting changes, which may or may not be helpful to the story.

By switching to a more traditional plot structure, Supergirl trades away the book’s fleshed out relationship between Kara and Ruthye. Though Kara still cares for her young protégé, Ruthye has unfortunately been reduced to a fiery platitude, telling people who she is and how much she wants to kill Krem. At one point, Kara even makes fun of her little speech.

Krem, on the other hand, feels much more ferocious. Though the book’s Krem was evil in his own right, he was more of a mundane type of evil, just-an-average-Joe evil. The movie’s Krem is the type you wouldn’t want to meet in a dark alley. He looks like he took a few too many steroids.

On the one hand, these changes make for a smoother film. Though the movie starts off slow, it eventually rolls towards a superhero-level fight at the end. On the other, it loses the message of the original story about the complexities of revenge.

On James Gunn’s universe

Normally, it’s a compliment to have a movie comparable to a James Gunn movie. There is another side to the coin, though.

Despite being tagged as fundamentally different from the tone of Superman, it’s clear that Supergirl was influenced by Gunn’s vision. There are jokes, random aliens, and a liberal use of older songs. On a micro level, it just doesn’t hit as hard as a Gunn flick, though.

For one, in a Gunn movie, each unnamed alien has so much character that you’d hardly believe that they’re just extras. In Supergirl, background characters, even those with speaking roles, don’t lift up from the screen. They just blend into the background. Likewise, the Brigands, despite how much eviler their actions are, don’t look like anything beyond generic sci-fi villains.

On a larger scale, keeping up with Gunn’s vision makes sense. Supergirl’s take on Kara’s story complements Superman’s story so well. Kara’s origin, explored in the film, contrasts with Clark’s. Ultimately, it helps turn Clark and Kara into fully fleshed out characters, rather than the tired stereotypes of Mr. Goody Two Shoes and his apathetic sidekick.

It also helps that Lobo, played by Jason Momoa, adds an interestingly cosmic element to the universe’s growing cast of characters. Finally spreading his wings away from Aquaman, Momoa has finally found a role perfect for him. He steals all the scenes that he’s in.

Should you watch Supergirl?

Supergirl is not on the same level as Superman. While the latter is Gunn at his absolute best, the former is a Gunn-esque film that drops the original story’s message in favor of a plot friendlier to the big screen.

That doesn’t mean that it’s a bad movie. In fact, it does well to expand the lore started by the first film. Supergirl is still a worthy, albeit smaller, addition to the growing DCU oeuvre.

Global K-pop sensation LE SSERAFIM is returning to BlizzCon.

Blizzard Entertainment has announced that the five-member girl group will perform as the closing musical act at BlizzCon 2026. LE SSERAFIM will take the Main Stage on Sunday, September 13 (PT), bringing fans another live performance after its BlizzCon debut in 2023.

The appearance also comes ahead of the group’s upcoming U.S. tour. Blizzard teased that the performance will make it a “Perfect Night” for fans attending the convention at the Anaheim Convention Center.

 

View this post on Instagram

 

A post shared by Blizzard Entertainment (@blizzard)

LE SSERAFIM returns to Blizzard

LE SSERAFIM debuted in 2022 under SOURCE MUSIC, a label of HYBE. The group is composed of Sakura Miyawaki, Kim Chaewon, Huh Yunjin, Kazuha Nakamura, and Hong Eunchae.

The group’s name is an anagram of “I’m Fearless,” reflecting the confidence that has defined its music since debut.

This won’t be LE SSERAFIM’s first crossover with Blizzard. The group previously collaborated with Overwatch 2, bringing themed cosmetics and a special event to the hero shooter.

BlizzCon 2026 is sold out

BlizzCon is Blizzard Entertainment’s annual community celebration. It brings together fans of World of Warcraft, Diablo IV, Overwatch 2, and other Blizzard franchises for game announcements, developer panels, esports, cosplay, and hands-on experiences.

Passes for BlizzCon 2026 have already sold out. However, Blizzard says tickets may still become available through the Tixr public resale marketplace.

Fans can learn more about LE SSERAFIM’s appearance on Blizzard’s official blog.