Fierce, strong, brave, loving, gentle, and caring.
When we’re describing mothers, the list of adjectives can go on and on. Often, they’re selfless — putting their kids’ and families’ needs first.
To celebrate the women we hold dear, we have an annual holiday where everyone shares their love for their mom in one day. The internet turns into a forum of stories glorifying mothers, painting them as superwomen worth looking up to.
However, mothers don’t need to be celebrated in just a single day. So we’ve compiled a list of TV shows and films you can watch by yourself or with your mom. From comedies to documentaries to thought-provoking dramas, they highlight the untold struggles moms experience and stories of our relationship with them.
After watching a few from this list, you might come into realization how strong our mothers really are. If you’re a new mom, a mom taking a break from your busy life, a partner to a mother, or a daughter or son who loves their mom so much, these shows are definitely worth watching. Express your love and celebrate each day like it’s Mother’s Day!
This new Netflix documentary tells the story of Michelle Obama, from her humble upbringing on the South Side of Chicago to getting her law degree, to meeting Barack Obama, to being a mother to Sasha and Malia, to their journey to the White House, and beyond. It’s a story of love, loss and hope, successes and failures, fulfillment and hard work, and bringing about change for oneself and for others.
Cheryl Strayed decides to build her life again in this movie adaptation of her memoir with the same title. She sets out for the great outdoors and hikes the Pacific Crest Trail alone after losing her mother, going through divorce and addiction.
Unorthodox is a short but profound story of a former member of New York’s Hasidic Jewish community. Esty’s journey is a story of self-discovery and questioning what happiness truly is — is it one that you find for yourself or that which your circumstances dictate? Is becoming a mother a choice you make yourself or one that’s made for you by society?
The Joy Luck Club
Based on a book of the same title, The Joy Luck Club explores the lives of four Chinese-American women and their Chinese immigrant mothers that defy what it means to be a woman.
Despite what the title suggests, Marriage Story is a deep dive into the ugly, painful process of divorce. It’s an intimate story of a couple breaking up and a family coming together.
Four urban moms find each other and become friends over their shared struggles in raising children in the city, their careers, and trying not to lose their sense of self.
Comical yet eye-opening (and somewhat depressing after some realization kicks in), Tully tackles the struggles of motherhood — juggling responsibilities while tending to your family’s needs, sometimes forsaking the need to take care of yourself.
There’s a reason why some women choose motherhood, and some fear it. Over a heated discourse, Egg cracks open different ideologies about bringing new life into the world. With complicated characters and truth bombs being thrown left and right, this comedy will make you laugh while making you realize why it’s perfectly okay to have your own definition of motherhood.
A Disney-Pixar favorite, Brave is about a mother-daughter relationship going astray because of indifference. Merida defies an age-old custom of forced, arranged marriage by her mother, Queen Elinor, to pursue freedom which led to chaos and a striking realization about changing fates.
Three over-stressed moms went on a quest to break free from the usual responsibilities of every mom. Most of which are imposed by a clique of women dedicated to becoming devoted, perfect moms. This film highlights every mom’s breaking point caused by overworking and over-exhaustion. One night, they just decided to be the ‘bad moms.’ But in reality, they’re not regular nor bad moms. They’re the cool moms.
Netflix will release a new movie every week in 2021
Who isn’t looking forward to 2021?
While 2020 was a disaster for most industries due to lockdowns and restricted movement, Netflix gained the most. The streaming service attracted a lot of users who’re just looking for entertainment without leaving the house. And, Netflix wants to ensure you continue streaming endlessly even when the pandemic ends.
With a promise of “a new movie every week,” Netflix announced the titles that will be premiering on the streaming service in 2021.
Netflix has put together some of the biggest names in entertainment for its 70-star studded line-up. The features include the Zack Snyder-directed Army of the Dead, Jennifer Lawrence starrer Don’t Look Up, musical Tick, Tick… Boom! and Dwayne Johnson’s action movie Red Notice, among others, many others.
If the above names weren’t enough, you’d also get to see Chris Hemsworth, Gal Gadot, Ryan Reynolds, Zendaya, Jason Moma, and Leonardo DiCaprio. Netflix has also unveiled a trailer that offers sneak previews of the upcoming titles.
52 titles shall be in the English language, eight will be animated, and 10 shall be non-English language films. One of the most imminent releases is Malcolm & Marie, starring John David Washington and Zendaya, filmed during the Coronavirus pandemic.
This is the first time Netflix has announced a yearly features slate. Though it also means the brand wants users to be excited about upcoming content and continue subscribing.
Netflix’ Bridgerton is fun, raunchy, and visually appealing escapism at its best
The Duke of Hastings is enough reason to binge this show.
If Jane Austen wrote Gossip Girl, this would probably be it. Bridgerton is Netflix’ latest offering for people looking for a bit of an escape — this time, to the Regency era where life was seemingly less boring than one might imagine.
The show is based on the first book of Julia Quinn’s Bridgerton series: ‘The Duke and I’. For comparison’s sake, I found myself reading the book after finishing all of its eight episodes. Personally, I find the small screen adaptation proves to be quite respectful to the canon. Some adjustments were made to make it a slightly better fit for today’s audience.
Seamless in injecting diversity
A racially diverse cast that doesn’t feel forced for the sake of being woke is something I truly appreciated. Show creator Chris Van Dusen reimagined the Bridgertons’ world with people of color having status and power. This was actually addressed by some of the characters, complete with its own narrative that fit — quite seamlessly — into the plot.
I’m pretty sure I speak for a lot of us who watched the show that this was something we welcomed. After all, this adjustment gave us Regé-Jean Page as lead character Simon Basset — the ‘Duke’ the book title refers to. The story revolves around the courtship between him and Bridgerton eldest daughter Daphne, played by Phoebe Dynevor.
*Spoilers are coming. You’ve been warned.*
It’s London in the early 1800s and Daphne has debuted into the marriage market. Despite rave reviews from their print-era version of Gossip Girl, Lady Whistledown, her prospects are looking pretty bleak. The Duke who doesn’t wish to marry to avoid fathering children finds himself in an agreement with Daphne that will make her more popular among potential suitors. And as for him, it will ward off determined mothers from foisting their marriageable daughters on him.
They pretend that they are courting and their ruse eventually leads them to develop feelings for each other. Surprise, surprise. And that’s where things get interesting. Despite the steamy adventures of eldest Bridgerton brother Anthony, things are a little slow during the first few episodes. The fun only starts to pick up midway into the series.
Expect to see Nicola Coughlan of Derry Girls fame as the daughter of Bridgerton neighbors, The Featheringtons. She plays Penelope who’s in love with Colin, one of Daphne’s brothers. I actually love her character and that of another Bridgerton sister — Eloise.
To see what happens to them, however, we’ll have to pray for more seasons of the show. This season is all about Daphne and the Duke of Hastings. I did enjoy the series, especially the parts where they tried to inject as much female empowerment that 1800s London can take. However, I still found some parts of it fell short.
Bridgerton: escapism but still a tad problematic
As a woman living in 2021, it was quite hard to relate to Daphne’s character who had her whole life pegged on marriage and having children. Sure, it’s the Regency era and women had limited options for a good life. So while these things should have been understandable, I felt horrible for Simon when she practically forced him to have children with her.
The act was much worse in the book but thankfully, Van Dusen made this part a tad bearable in the series. I have to admit, I lost much respect for Daphne after that. Without Page playing the Duke, I probably would have lost interest and hit fast forward just to find out who Lady Whistledown is.
At a time when there’s so much more to being a woman and consent is a major issue for both genders, I hope impressionable viewers won’t take Daphne for a role model. There’s always Eloise for this season. Pick her!
Bridgerton is fun, quite raunchy, and pretty exciting thanks to the mystery that is Lady Whistledown. I absolutely loved how cheeky she was.
It’s a visually appealing series with gorgeous sets and costumes in aesthetically pleasing color palettes. Well, except those worn by the Featheringtons. Oh, and did I mention Julie Andrews is the narrating voice of Lady Whistledown? That, in itself, is more than enough reason to grab that remote and give the series a try.
Catch the first season of Bridgerton on Netflix.
Netflix’s Space Sweepers tackles spaceships and robots
Get on a space battle!
Sci-fi lovers, heads-up! Netflix has a new film, and it’s entitled Space Sweepers. It’s a space opera regarded as the first Korean space blockbuster, directed by Jo Sung-hee of A Werewolf Boy and Phantom Detective.
The film is set in the year 2092, where a spaceship named Victory is one of the many that live off salvaging space debris. It’s crewed with a genius space pilot Tae-ho (Song Joong-Ki), a mysterious ex-space pirate Captain Jang (Kim Tae-Ri), a spaceship engineer Tiger Park (Jin Sun-Kyu), and a reprogrammed military robot Bubs (Yoo Hai-Jin). Together, the spaceship Victory surpasses all other space sweepers.
After successfully snatching a crashed space shuttle in the latest debris chase, Victory’s crew finds a 7-year-old girl inside. They realize that she’s the humanlike robot wanted by UTS Space Guards, and decide to demand ransom in exchange.
With stunning space action and thrills coupled with a comical tension between the crewmates who do not harmonize with each other, Space Sweepers is setting up to be a one-of-a-kind space drama.
Space Sweepers will stream on Netflix on February 5, 2021.
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