When the Polaroid OneStep 2 debuted, I didn’t know what to expect. All I knew was that it was one pretty camera so logically I was instantly drawn to it. (I like beautiful things and quirky cameras.) I previously reviewed the Fujifilm Instax SQ10 and the Polaroid SnapTouch so I was quite curious as to what this classic brand had to offer.
Background
The OneStep 2 is the brainchild of Polaroid Originals. It’s technically that same iconic camera brand but also, it’s technically different. Let me explain.
Throughout the years, Polaroid has made itself known for its cameras — hence the reference in that OutKast song and the reason why Instagram’s very first logo was influenced by a Polaroid camera.
The rise of digital photography, however, wasn’t the best development (pun intended) for a classic camera manufacturer and pretty soon, Polaroid was going out of business — until a startup called Impossible Project swooped in.
Impossible Project was no stranger to the Polaroid brand. It was the same company that kept the film manufacturing process alive when Polaroid announced that they would cease doing so. In 2017, Impossible Project’s main shareholder purchased the Polaroid brand and intellectual property giving birth to Polaroid Originals.
Now, enough of this history lesson and on to the actual camera.
Picture perfect
If you think the OneStep 2 looks familiar, you’re right… and you’re also probably old.
The OneStep 2 is the successor to Polaroid’s original OneStep camera manufactured in the 1970s — one of America’s bestselling ones at the time.
Just like the OneStep, the OneStep 2 is an analog camera. Only, there’s a 21st-century twist — namely a lithium-ion battery with a micro-USB port for charging. There are no frills or special functions on this camera, just pure old-school goodness.
Setting up
The camera is pretty straightforward. The big red button up front is the shutter button, there’s a timer switch on the left of the lens and finally, there’s a yellow lighten/darken switch which allows you to adjust photo exposure. On the back of the camera, there’s an on and off switch, a flash override button, and the micro-USB port for charging.
Before anything else, you’re going to need a pack of film. The OneStep 2 uses i-Type film which come in cartridges that house eight shots each.
To load the film, slide the cartridge into the camera. That tiny latch up front opens the film door. It may sound complicated but it isn’t as hard after the first try.
Ready, set, shoot!
The OneStep 2, true to its analog roots, only has a no-frills viewfinder. This can make picture taking pretty tricky; you need just the right angle to take a perfectly framed photo. It also doesn’t help that said angle entails half of your made-up face to be on the back of the camera. (Que horror!)
Press and hold the red button to take a photo and the image will immediately print. There’s no option to edit or save. All you really do after you press the shutter is hope you framed your photo right.
The film comes out of the camera’s front, and now you sit and wait. It takes a few minutes for the photo to develop.
But all that considered, photo taking on this thing is still very fun — that is, if you don’t run out of film. Eight shots is not a lot when you’re still fumbling with a camera that prints each picture automatically. These lights will tell you how much film you have left.
Verdict
Without knowing what the OneStep 2 can do, I am immediately drawn to it. I mean, look at it! It’s so Instagrammable, we probably took more photos of it than from it.
However, if you’re looking for a shooter that will give you the clearest instant print, it won’t be this camera. There’s a certain learning curve on this thing and it takes a while to perfect taking photos — in our case, more than a pack’s worth of film.
I have to be completely honest, though: I enjoyed playing with this camera a lot. There’s just something about instant cameras that make them all so appealing to me.
Now, some might argue that an instant camera launched in this decade should, at least, have more functions. This is what other brands have done in an effort to evolve. But, to apply that standard to the OneStep 2 is completely missing the point. This camera release relives the simple times and takes us back to the nostalgic glory of the Polaroid OneStep. It reminds us of the sentimentality that old-school photography used to have and allows us to experience the same.
Cameras
Sony launches FE 100-400mm F5.6-8 OSS telephoto zoom lens
Super telephoto zoom lens for hobbyists
Sony has launched the FE 100-400mm F5.6-8 OSS super telephoto zoom lens tailored for hobbyists and for a competitive price.
The compact and lightweight lens (approx. 654 grams) is meant for 35mm full-frame Alpha E-mount cameras, making it easy to carry to capture subjects that are difficult to appraoch.
This includes birds, sports scenes, and more. Landscape photography unique to super-telephoto lenses can also be enjoyed by making use of the compression effect. This makes the distance between nearby subjects and distant background elements appear closer together.
When used with a teleconverter, users can double the distance they can capture, with the lens supporting focal lengths of up to 800mm or up to 1,200m in APS-C mode.
With the latest optical design incorporating two ED glass elements and two aspherical elements, excellent image quality is achieved across the entire zoom range. These elements reduce chromatic and other aberrations for clear rendering.
Subject shooting can stand out as well in a natural and soft bokeh, with the lens’ 9-blade circular aperture. This makes the lens also ideal for close-up photography of flowers, insects, and other nearby objects.
In addition, the lens features a linear motor drive for fast, precise, and quiet AF performance to help capture moving objects. The lens also supports high-speed continuous shooting with AF/AE tracking at up to approximately 120 frames per second when used with the Alpha 9 III.
Built-in optical image stabilization also supports handheld shooting in the super-telephoto range, suppressing camera shake. Users can also utilize the camera body’s Active Mode image stabilization and coordinate image stabilization control.
In Singapore, the Sony FE 100-400mm F5.6-8 OSS will be available by the end of August for SG$ 1,099.
Accessories
OBSBOT’s Meet Flip is your next best pocketable 4K webcam
Fold the Flip for further protection
Several months ago, you might remember that OBSBOT revealed the Tiny 3 series of web cameras.
Six months after, they also unveil the all-new Meet Flip. From the name itself, it’s the company’s latest foldable 4K webcam that puts hardware privacy front and center.
Foldable and pocketable
Despite weighing just 37.7 grams, the Meet Flip aims to deliver premium webcam features for all types of users. Be it remote workers, professionals, or content creators.
Undoubtedly, the biggest highlight has got to be the webcam’s folding design. Not only it’s portable, it protects your privacy too.
Closing the device physically blocks the lens, giving users a visual confirmation that the camera is no longer active. When it’s time for a meeting, simply unfold it and it’s ready to go.
That lightweight body also features a built-in mounting clip that works with laptops, monitors, and tripods. Users can mount it in landscape, portrait, or even upside-down orientations depending on their setup.
Despite that absurd amount of lightweightness, the OBSBOT Meet Flip is still able to house a 1/2-inch Exmor RS stacked CMOS sensor with Quad Bayer technology. That’s something more commonly found among bigger and higher-end web cameras.
Other camera features include:
- 4K video recording / 30fps
- 1080p recording / up to 60fps
- HDR support for challenging lighting
- Phase Detection Autofocus (PDAF)
- 4x digital zoom
- f/1.8 aperture with ISO 100-6400 support for low-light environments
Beyond just video calls
The OBSBOT Meet Flip isn’t just packed with serious camera hardware, it’s seriously intelligent as well.
The Meet Flip supports AI Auto Framing. This automatically keeps users centered during meetings — regardless if they are presenting alone or with a group. Gesture controls also let users activate framing or adjust zoom without touching the keyboard or mouse.
Another standout feature is AI Magic Notes which provides real-time meeting transcription and automatically generates summaries, action items, and key discussion points.
The feature works with Google Meet, Zoom, and Microsoft Teams through OBSBOT Center. Every webcam includes complimentary transcription of 120 minutes.
With that being mentioned, OBSBOT Center also makes users gain access to software features such as background blur, virtual backgrounds, beauty mode, and picture-in-picture overlays for presentations.
Those who want more advanced controls can enable Smart Eye Tracking, teleprompter support, and manual image adjustments.
Audio also gets an upgrade through an intelligent dual-microphone system that offers four recording modes:
- Directional Mode / solo calls
- Dual-Directional Mode / interviews
- Smart Omni Mode / group meetings
- Pure Audio Mode / unprocessed stereo recording
AI Noise Reduction and Automatic Gain Control are also available across most modes to help improve voice clarity.
OBSBOT’s Meet Flip is also compatible with mobile devices through the OBSBOT Live app and supports integrations with accessories including Elgato Stream Deck, Nintendo Switch 2, and UVC-to-NDI/HDMI adapters.
Pricing and Availability
The OBSBOT Meet Flip is available starting today for US$119 through OBSBOT’s online store, Amazon US, and select retailers worldwide. Regional pricing may vary.
Cameras
Sony announces new FX5 full-frame camera
Newly-developed sensor, Open Gate recording, more enhanced capabilities
Sony has launched the new FX5 full-frame camera in its Cinema Line series with enhanced capabilities.
The camera is equipped with a newly-developed fully stacked Exmor RS CMOS sensor and the latest high-speed BIONZ XR2 image processing engine, which includes a dedicated AI processing unit.
When shooting in S-Log3, the camera achieves 15+ stops of dynamic range. The broad latitude and low-noise performance enable seamless roll-off from highlights to shadows and natural texture reproduction, even in high-contrast scenes.
Three Base ISOs of ISO 800, ISO 4000, and ISO 12800 enable low-noise image expression under a wide range of conditions.
Moreover, Dual Gain Shooting function, supported for the first time in the FX series, maximizes the performance of the image sensor to enable smooth gradation reproduction with even wider latitude, while effectively reducing noise without compromising shadow detail.
For the first time in the Cinema Line FX series, the FX5 supports Open Gate shooting, as well as in-camera recording in X-OCN, Sony’s proprietary RAW format.
This includes a variety of scan modes like 17:9, 16:9, and super 35mm. This allows for flexible angle-of-view selection for the user’s creative intent.
The camera is capable of shooting in 5K at up to 60 frames per second, in 4K up to 120 frames per second and in FHD up to 240 frames per second.
These features bring together the Cinema Line look and operability designed to meet the needs of production environments in a compact, highly portable body.
The Sony FX5 will also include two new optional accessories: a detachable OLED viewfinder and an XLR Handle that enables recording in-camera at up to 96 kHz, 32-bit float.
The camera system incorporates expertise that Sony has cultivated through the development of Cinema Line cameras, which have earned high praise from cinematographers and video creators around the world.
Price, availability
The ILME-FX5 with XLR Handle Unit (SG$ 7,199) and ILME-FX5B Body Only (SG$ 6,399) will be available for pre-order until August 9.
The DVF-EL1 OLED Detachable Viewfinder (SG$ 899) and VMC-BNCU1 Timecode Adapter Cable (SG$ 129) will be available after Mid-August.
Meanwhile, the XLR-H2 XLR Handle (SG$ 1,099) will be available by special order.
On July 28, the FX5 will also be on display atThe Arts House At The Old Parliament from 6:00 P.M. to 8:00 P.M., giving creators the chance to experience it for the first time.
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