The Polaroid OneStep+ is finally in my hands! Not to be confused with the Polaroid OneStep 2, the OneStep+ is the latest in Polaroid’s line that pays homage to the original OneStep camera released in the 70s. As a lover of pretty things and Instagrammable cameras, the OneStep cameras were always a treat to review.
This newest Polaroid Originals camera looks (almost) the same, feels the same, but what’s so different about it? Let’s get to it!
This newest release, dubbed the Polaroid OneStep+, comes in black. Now, it might sound boring but it actually looks pretty classic and fun with the pop of colors from the Polaroid rainbow branding.
It looks as Instagrammable as its predecessor, despite the dark color change. Don’t believe me? I’ll prove it:
Up top is a switch that toggles between normal portrait mode and wider-angled photos. The light indicator for your remaining shots is also up here.
On the back is the on/off switch, a micro-USB port for charging, and the flash button — press and hold as you take the photo so the camera won’t flash.
The viewfinder (which looks tinier) is in the same place, on the left-back side.
I think the biggest and most notable change, though, is the fact that you can now attach this camera to a tripod. Built in at the bottom is a tripod screw thread which means that the OneStep+ can be mounted on a tripod. I guarantee you, this is a recipe for better Polaroids.
Taking a photo with the OneStep+ is the same process as before: Look through the viewfinder and compose the photo, press the shutter (the red button on the side), and the photo automatically prints on film.
The shape of this camera is reminiscent of old-school cameras. Shooting with it can give you those feels, it’s just a different experience compared to shooting with your smartphone or a point-and-shoot camera.
So, yes. The Polaroid OneStep+ still takes (fun) photos or even selfies…
… and prints them on square format Polaroid film. It works with both 600 film and i-Type film which retail from EUR 16 to EUR 20, depending on the type.
But, let’s go back to that photo of me and Chay taking a selfie with the camera. Notice something?
Why is Chay holding her phone in this photo?
No, Chay isn’t overly attached to her phone… it has to do with this camera’s new feature.
You can connect the OneStep+ to your phone via Bluetooth and you’ll be able to control your camera via the Polaroid Originals app.
Pairing is pretty easy, too. After the initial pairing process, the camera will automatically pop up when you open the app which is so convenient! (We all know how having to pair every single time can be annoying. 😅)
So, what can this new app do? Time to try it out!
Once connected, there are six shooting modes you can try on the app.
The most basic: A remote function which allows for your phone to act as a trigger for the camera. This is pretty useful for when you want to be in the photo and there’s no one else to take the picture. Take note, however, that the app only acts as a trigger so you can’t preview the photo on your phone. (See photo 2)
The self-timer is a pretty cool feature, though the previous OneStep cameras had that feature even without the app. (See photos 3 and 4)
The same can be said about the double-exposure function. The Noise trigger is a new one, and it’s the coolest thing ever. Basically, you can trigger the camera shutter by creating any sound of a certain loudness. You can set this up on your phone and even change the sound threshold! (See photo 5)
Also included is light painting and manual modes. As you can see in the samples above (see photos 6, 7, and 8), it takes a while and a lot of ruined film to actually get how to take proper photos with these modes.
Once you learn how to use the OneStep+, it means a lot of cute Polaroids — and we all want that.
When you’re all set with your Polaroids, the app offers an added feature to ensure you can show the world your prints. The scan feature automatically detects your photo, fixes it (crops and tilts it, if needed), and you can post or share away.
It’s not perfect, though. The function can be fidgety when it’s not photo-ready bright, which is most real-life circumstances. It’s usually a trial and error process to get the best-looking scan. Also, for some reason, this works best on iPhones. The Android devices we tested with it always had a harder time scanning the photos.
Nonetheless, it’s still pretty useful and it’s a great integration to the app. I see where this feature can go and I’m hoping that later updates will be able to fix these problems.
Another addition to the app is the Discover feature where you can find tips and tricks, or even photo ideas for your next Polaroid project.
You will never run out of things to try with your camera because of this!
If you want a Polaroid camera in 2018, this is for you. It’s the same new-old camera (get it? 😎), but now made even better.
Although I would’ve loved a remote preview on my phone, the more I thought about it, the more I realized that this addition would’ve changed the whole process of taking Polaroids and destroyed the instant camera experience.
Previous cameras have attempted to merge high technology with the concept of instant cameras. But, we have yet to see an execution that utilizes tech in a way that enhances the shooting without destroying the old-school experience. This might be the right step towards that.
Some will argue that a smartphone could outdo what these instant cameras can do. If you’re one of those who believe so, you’re completely missing the point of these throwback cameras. This line is designed for those who want to enjoy Polaroids in 2018 and the Polaroid Originals OneStep+ just offered another way to do so.
Fujifilm X-T30 is a lightweight 4K mirrorless camera
Cheaper version of the X-T3
The X-T30 is positioned to be a cheaper variant of the flagship X-T3 camera, but they actually share many common features and specs. It’s got a compact and lightweight body at just 383g which looks similar to the premium model, but with some minor changes at the back. It’s got a focus joystick instead of a d-pad, but retains the touchscreen.
Speaking of, it’s a 2-way tilting LCD panel with 1.04 million dots. The EVF, on the other hand, is a 2.36-million-dot OLED color viewfinder with a near 100 percent coverage area.
Inside the camera is a 26.1-megapixel APS-C X-Trans CMOS sensor with an ISO range of 160 to 12800, which is expandable up to 51200, and backed by an X-Processor 4. With this, the X-T30 can shoot 30fps at 1.25x crop and 20fps without a crop using the electronic shutter. If you wish to use the mechanical shutter, the speed will be reduced to 8fps.
It has a hybrid AF system with 100 percent phase-detect AF, face detection, and eye tracking. Autofocus is also improved even in low-light. Focusing can be selected either through the touchscreen or joystick.
When it comes to video, the camera can shoot 4K at 30fps and up to 120fps when downscaled to 1080p. It’s capable of 10-bit recording and 4:2:2 DCI 4K video through the HDMI port. Fujifilm’s Film Simulation modes are also available.
The Fujifilm X-T30 will be available in March starting at US$ 899 for the body only. It’ll go up to US$ 999 when bundled with an XC 15-45mm f/3.5-5.6 OIS lens, or US$ 1,299 when bundled with an 18-55mm f/2.8-4 lens.
Canon EOS RP is company’s cheaper and smaller full-frame mirrorless camera
The second model in the series
After the first EOS R last year, Canon has a new full-frame mirrorless camera — the EOS RP. It’s positioned below the EOS R, yet it happens to be Canon’s smallest full-frame camera. It’s also cheaper, which means it’s aimed for the mass market.
For starters, the EOS RP has a 26.2-megapixel full-frame sensor, only a slight step down from the 30.3-megapixel sensor of the EOS R. It still features the same ISO range of 100 to 25600, DIGIC 8 image processor, and Dual Pixel CMOS AF. Of course, the camera uses the new RF-mount system.
To make the EOS RP cheaper and smaller, Canon had to cut down some features like the continuous shooting speed to 5fps (from 8fps of the EOS R) and 4,779 autofocus points (EOS R has 5,655).
Both the 0.39-inch OLED EVF and 3-inch vari-angle touchscreen LCD have fewer pixels at 2.36 and 1.04 million dots, respectively.
The EOS RP can only shoot 4K at 25fps with 120Mb/s bitrate and 8-bit color depth. It also doesn’t support Canon Log for professional color grading. It only has one SD card slot as well, so you’ll need high capacity memory cards when shooting non-stop.
Size-wise, this is where the EOS RP shines. It measures 132.5 x 85 x 70mm and weighs 485g with a battery and card already. This makes the EOS RP significantly smaller than the EOS R and even entry-level Canon DSLR cameras.
Other features of the EOS RP include focus peaking, 8.3-megapixel still photo capture when recording in 4K, Wi-Fi and Bluetooth connectivity, stereo microphones, water and dust resistance, 250-shot battery life, and USB-C charging.
Despite some of the shortcomings of the EOS RP, its price is a pretty sweet deal. It’ll be available by the end of the month starting at US$ 1,299 for the body-only package, but it’ll come with an EG-E1 extension grip and an EF-mount adapter in the box. It’ll also come bundled with a 24-105mm f/3.5-5.6 IS STM lens for US$ 1,699 or with a 24-105mm f/4L IS USM lens for US$ 2,199.
Fujifilm Instax SQ20 hands-on: How good is it?
Trying out the new Motion Mode on doggies!
Fujifilm’s sequel to their first ever digital/analog hybrid is here and it’s looking better than ever. The Instax SQ20 is one classy-looking instant camera but what can it do? With a set of built-in filters and new features like the Motion Mode, it looks like a promising device.
I finally try it out, with help from some doggies, on our hands-on video.
The SQ20 retails for US$ 199 in the US, PhP 12,999 in the Philippines, and SG$ 299 in Singapore.
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