Cameras

On the other side of the race course

What is it like to be a race photographer?

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I’ve always wondered what being on the other side of the race course is like. As an athlete competing in endurance races, I would get giddy whenever I heard the shutter clicking as I ran.

Stumbling upon a sports photographer on the race course gives me enough boost whenever my legs are tired from running. I always imagine what my photos would look like after it gets published.

Would I look exhausted? Is it going to be an epic action shot? The possibilities are endless.

I haven’t covered sports and events in a while, since I’ve been a product photographer for over half a decade. I try to shoot during community workouts at Bridgetowne Obstacle Park, ensuring my skills don’t get rusty.

After my Elite race at Spartan Stadion, I applied to be a photographer for Spartan Race Philippines. I’ve been wanting to satiate my curiosity on what is it like to become a race photographer. A month later, I got accepted and I didn’t realize my life would turn around after that opportunity.

Going back to my first love

When I got accepted by Spartan Race Philippines’ media team, I felt puzzled that everyone was using Canon for their gear and equipment. This prompted me to reach out to Canon Philippines, having them lend me the Canon EOS R8 along with a telephoto lens (RF 70-200mm) and a wide lens (RF 15-30mm).

I’ve been using a mirrorless Sony camera for almost a decade, but my first love was a Canon DSLR. It helped me ace my photography class back in my uni days and paved the road for my current career.

Going back to Canon coincided with the desire to go back to my roots. I’ve been yearning to cover sports and events, and I finally got the opportunity to do it again.

My familiarity with Canon helped in navigating the camera. It’s like going back to an ex-lover where too much time has passed and you just got a chance to see each other again. But this time, you’re both better.

Alexa, play “Maybe This Time” by Michael Murphy.

Time to gear up

My first assignment was the biggest Spartan Trail event for the year. Dubbed the Trailfecta Weekend, Spartan Race Philippines hosted three races in one weekend: 50 km, 21 km, and 10 km.

The event was mounted in the mountains of Bacnotan, La Union — a 30-minute drive from the San Juan, La Union which is also known as the Surfing Capital of the North.

During our orientation, we were briefed that celebrities and high-profile individuals would also grace and partake in the competition.

To make sure I wouldn’t miss out on any shots, I brought out two more SD cards and four more battery packs. I was nervous yet excited at the same time to be part of the race I used to compete in.

Under the hellish heat

On the first day, I was deployed at the 42nd mark of the 50-kilometer trail. I was the last photographer before the participants reached the finish line.

The media team used a buddy system but I insisted on moving further to find an enthralling background for the subjects I’ll be taking photographs with.

I ended up sitting at the 43rd-kilometer mark. Nevertheless, I found a good spot. I was sitting in a corner side of a paved road, snuggled under an umbrella while braving the hellish heat. I brought the Canon EOS R8 and the RF 70-200mm to capture every racer from a distance.

My goal at that time was to make sure I took the best shot of every athlete passing through me. Being situated at the near-end part of the race course meant athletes wouldn’t be crowded and I’d get a single shot of everyone.

Thankfully, it turned out excellent even if I was burnt from the scorching heat of the sun. Here are some of the best photos.

Elizabeth Dangadang

Andy Borras

Roy Dela Fuente

Aries Atienza

Keziah Loreto

Simon Adriano

In slopes

After the 50-kilometer race, we went back to our hostel to rest, recover, and prepare ourselves for the second day. The 21-kilometer and 10-kilometer races were more grueling than the 50-kilometer due to the sheer volume of racers attending.

An estimated 300 racers attempted the 21-kilometer race while around 600 racers ran through the 10-kilometer trail.

I was deployed early in the morning for the 21-kilometer race. My co-photographer Rox and I rode and stood at a pick-up truck, anxiously wanting to find a spot early.

One of the Philippines’ best trail runners was competing and we knew right away he’d be the first person to cross the finish line.

Deployed at the 10th-kilometer mark, we still went down on a slope to find a good spot. Our exploration at around the 9-kilometer mark was halted when we saw Randolf Gonzales, Merrell’s Ambassador, and the country’s elite trail runner, running easily on an uphill. Behind him were athletes from the Philippine Military Academy (PMA).

We had no choice but to stop and position ourselves as the athletes passed through us. Right then and there, we decided to station on the slope since the racers were coming.

Here are some of the photos I took on the half-marathon race.

Randolf Gonzales

Melissa Campos

Imman Villapando

Rufino Herrera

Jara Pallana

Ceddrick Moreno

Joj Agpangan

Up to shoot for more

The cut-off time for the half-marathon was too early, based on my experience. At 8 in the morning, we were asked to come back to the aid station. Seeing that it was still early in the day, we asked to be deployed for the 10-kilometer race.

We arrived at the last aid station around the 9-kilometer mark. Around twenty minutes later, the podium contenders for the 10-kilometer race were running on the trail we were stationed on.

I was positioned in the bush to sneakily take their photos. Some were surprised after passing through me. In this race, I felt being toasted by the sun. I was wearing my Straw Hat from Netflix’s One Piece, but it wasn’t enough to cool my head while on the trail.

Nevertheless, here are some of the photos from the 10-kilometer race.

Fjay Awa

Wellington “Beef” Co

Christian Tiu

Tinoy Borromeo

Jaco Benin

At the Workout Tour

Two weeks later after the race in Bacnotan, La Union, I also got an assignment to shoot for the second leg of the Spartan Workout Tour. It happened in Arca South in Taguig City, after the Spartan Kids race in the morning.

Though it was only a half-day event, the weather was erratic and bizarre, I almost feared for my gear. It was insanely, scorching hot, and then a heavy downpour came in during the start of the program. After half an hour, it stopped raining and it was insanely hot again. I had to use an umbrella to cover the Canon EOS R8 and the RF 15-30mm from the weather.

I forgot to use the telephoto lens since I used the RF 15-30mm to take photos of the Next-Gen Ford Ranger Wildtrak 4×4 at Poro Point in La Union, prior to the race. Luckily, the race course inside Arca South was cramped, and opting for the wide lens was more appropriate for the setting.

I stationed myself in the obstacles that would be best captured wide: Beater, Monkey Bars, Multi-Rig, and Rope Climb.

The Spartan Workout Tour photos I took are as follows:

Welcome back, my first love

Being a race photographer brought me back to my roots. I remember how I loved being the one behind the cameras, directing people on what to do and making them comfortable as I took their photos. I enjoyed the thrill of capturing an athlete’s performance in fleeting moments. The rapid anticipation of my heart racing from nervousness if I can even do a good job.

I’d say I did fine, seeing how I’m still part of Spartan Race Philippines’ official photographers team. Having the Canon EOS R8 allowed me to unleash my potential as a sports photographer.

It can shoot with a swift burst rate so I don’t miss any moments on the race course. It’s also responsive whenever I need to switch modes to find the more appropriate setting while shooting.

It certainly kept up with me at all times, regardless of the shooting conditions. It’s just versatile enough to bring along on the race course.

I’m still mulling over completely switching to the other side, both on the race course and using Canon as my main camera. I still enjoy being an athlete and competing in the Spartan Race, and jumping over from Sony to Canon is a big leap. But who knows? Maybe, just maybe, we find ourselves coming back to the brand we first loved.

For now, I’m just elated to be with fellow race photographers. It’s a pivotal experience that I’m going to treasure for the rest of my life.

SEE ALSO: Disconnecting in Taiwan with the Canon EOS R8

Cameras

Osmo Pocket 4 makes a surprising appearance in public

Is the built-in light real?

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The DJI Osmo Pocket 3 might be the most popular camera in recent history. The tiny action camera constantly sells out, thanks to creators and would-be vloggers. Because of the current generation’s popularity, everyone is looking forward to the next-generation Osmo Pocket 4. Though it’s still unannounced, the new camera has suddenly made a surprising appearance out in the wild.

The leak shockingly comes from an authorized DJI retailer in Kuala Lumpur. Supposedly, a customer entered the store with what they claimed was an Osmo Pocket 4. The store, DronesKaki, even shot a now-deleted video of the unannounced camera, rescued by New Camera.

Based solely on the short video, the Osmo Pocket 4 looks and feels very familiar to those who’ve already used the Pocket 3. The three-axis gimbal system still keeps shots in place for taking videos while on the move. The 2-inch rotating screen looks identical to the current one, especially because of intuitive settings and controls.

However, the biggest standout is the built-in LED light sitting atop the camera. Despite how convenient and easy to use it is, the Pocket 3 doesn’t exactly shine in low-light conditions, prompting users to always bring an external flash. If the leak is true, the Osmo Pocket 4 cures this issue to some extent. (Built-in flashes aren’t usually standout solutions, but they can work in a pinch.)

Still, take the leak with a grain of salt. Though the store could have deleted the video because of a request from DJI, they could have also deleted it because it’s not the Osmo Pocket 4. At this point, we won’t know, but current rumors speculate that the camera is launching soon.

SEE ALSO: DJI Osmo Action 6 review: An adventurer’s best friend

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Canon PhotoMarathon returns, introduces video, open categories

Happening on April 18 in BGC, Taguig

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The Canon PhotoMarathon is officially returning this year and is introducing more categories for enthusiasts to join in.

The 2026 edition, the 19th in the Philippines, will happen on April 18 at the BGC Amphitheater in Taguig City.

For the first time, Canon is opening the competition to non-Canon users. Even those with just smartphones can register. The brand has also added a video category.

Here’s a quick breakdown of the contest categories and their corresponding prizes:

Main Category (Photo)

  • Open to Canon users only
  • Prize: Canon EOS R6 Mark III with RF24-105mm f/4-7.1 IS STM

Open Category (Photo)

  • Open to all camera brands
  • Prize: Canon EOS R8 with 24-50mm

Video Category

  • Open to all camera brands
  • Canon Prize winner: Canon EOS R50 V
  • Non-Canon Prize winner: Canon Powershot V1

The full mechanics will be announced on the day of the competition itself to make it even more challenging for those taking part.

To join, simply download the Canon PH Delightful app, create an account, go to the Events tab and select the Canon PhotoMarathon banner. Registration is already open.

To build up hype for the upcoming event, Canon will host photowalks, school tours, and regional tours leading up to the PhotoMarathon.

These are designed to engage photographers at every skill level. Admission is free and open to all digital camera users.

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Cameras

Canon EOS C50 cinema camera price in the Philippines

Smallest, lightest cinema camera made for today’s filmmakers, creators

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Canon Philippines is capping the year strong with the release of the Canon EOS C50 in the market. The cinema camera is priced at PhP 189,998 for the body along with an XLR handle.

The Canon EOS C50 is designed for both filmmakers and creators who need mobility and professional-grade quality.

It has the same 3:2 Open Gate recording feature also on the EOS R6 Mark III, which gives users flexibility for post-production.

Creators can extract full 4K footage along with cropped 2K vertical or square versions from the same capture with the Simultaneous Crop Recording feature.

This is ideal for producing multi-platform content, like 16:9 landscape videos for YouTube then vertical shortform videos for social media.

Also, an added edge is the up to 7K 60p RAW recording capability on the C50, compared to just 7K 30p for the Mark III.

Filmmakers can also record at up to 4K 120fps should they need high frame rate captures. Recording in 4:2:2 10-bit is also available for rich color and flexibility in post-production.

In addition, the EOS C50 features dual CFexpress and SD card slots. 7K RAW can be saved to CFexpress while other formats can be saved to the SD card.

Different format, resolutions, and color sampling can be assigned for backup, distribution, or quicker edit-ready files.

Photo performance

For stills, users can take advantage of the 32MP CMOS sensor for capturing up to 40 shots per second (with electronic shutter).

The camera also supports pre-continuous shooting and AF performance improvements with its Dual Pixel CMOS AF II.

Enhancements include Auto setting, animals, vehicle priority, and eye AF, as well as the new left/right priority.

Moreover, the camera features Dual-Base ISO with Auto Selection, automatically switching between ISO 400 and ISO 3200 depending on the scene.

This ensures the highest signal-to-noise ratio while maintaining a wide dynamic range. Users can also manual select the ISO to match lighting conditions.

Professional interface

Onto its controls, the EOS C50 has a TIME CODE terminal, which is perfect for seamless multi-camera setups. It also features two XLR terminals and a handy control dial for professional audio input.

There are 14 assignable buttons, each thoughtfully positioned for quick, instinctive access while filming. There are about 100 customizable functions available so the camera can match a user’s workflow.

During the launch event, Canon Philippines demonstrated a wide range of scenarios for the EOS C50, including multi-angle live broadcasts with just one camera.

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