Is the all-new Sony WH-1000XM6 the newest king of headphones?
We didn’t just listen; we tested.
In this video, we’ve rigorously evaluated the Sony WH-1000XM6, comparing them head-to-head with their top competitors.
Specifically, the Apple AirPods Max, the Bose QuietComfort Ultra, and even older Sony models.
We dive deep into ANC (Active Noise Cancellation) performance, audio fidelity, comfort, and more.
But, did the XM6 come out on top?
Find out in this in-depth review as we put the Sony WH-1000XM6 in the ultimate test.
PRE-ORDER Sony WH-1000XM6 here!
Transcript
It’s no secret. These are probably the best noise-canceling headphones in the market today, and Sony just made them even better with a new processor, new drivers. And if you know, you know, they can now fold again! I’m so excited, maybe a little bit too dramatic, so let’s dive in. Michael Josh, your gadget matchmaker, and over the last decade, I’ve made it my job to show people around the world that tech can be easy, fun, and exciting. On this channel, I give you special access to the products I review, the events I attend, and all the interesting people I get to meet along the way.
So, if you’re shopping for a new pair of noise-canceling headphones, give the channel a like and subscribe, and I’ll help you find the right pair to match your needs. This is our Sony WH-1000XM6 review.
Long overdue upgrade
It’s been years since Sony updated their popular WH-1000 series of noise-canceling headphones. The arrival of the XM5 in 2022 came with a lukewarm reception. Some loved its sleek new design but were disappointed that it wasn’t as compact.
Others loved the improved audio and noise cancellation but missed the deep bass that the XM4s produced. Today, we’ll find out if we have a true winner in our hands.
Quick Unboxing
First, a quick unboxing. The XM6’s packaging is discrete, made from recycled paper, which is always a win in my book.
As you can see from the artwork, I’ve got the blue one inside. You’re greeted by the carrying case, and inside that is the XM6. There’s also some paperwork, a 1.2-meter auxiliary cable, and a rather short USB-C to C charging cable. But just like the XM5, but unlike the XM4, it does not come with this two-prong airplane adapter, so that you can ditch the cheap ones and use your high-folding ones on a plane. It’s whether I’m deep into my writing or just tuning out the noise, great audio keeps me in the zone, but my work doesn’t stop at content creation.
Subtle refinements
At first glance, the new XM6 looks very much like the XM5. To avoid any confusion in these next few clips, the XM6 is blue, the XM5 is black.
The biggest design change addresses everyone’s complaint about the XM5s. You can now fold them away, just like what we’ve been able to do on older models. Both sides fold in like this, allowing for a more compact case. Also, more on that in a minute.
The rest of the design tweaks are more subtle. The band features that modern, sleek design of the XM5s, but now is a bit wider for a more comfortable fit. The cuffs are also taller too, but with the same amount of cushioning. Stitching is only on the backside, so it looks cleaner. And notice, too, there’s a metal ring on the hinge, which adds not just an accent, but more durability to the folding mechanism.
Weight-wise, on my scale, I’m getting about 252 to 253 grams. If he says 254, whatever the case, it’s about 4 grams heavier than the XM5s and roughly the same weight as its closest rival, the Bose QC Ultra. The weight trade-off comes at the expense of more premium materials, like stainless steel and aluminum, just like on the AirPods Max, which is a heavy 386.2 grams.
The device is plastic, and the finish, unfortunately, a bit of a smudge magnet, but for a pair that I’m going to wear on a 12-hour transcontinental flight, maybe more, it’s a trade-off. I’m willing to have. Other design choices of note: I love this dot right here, almost like Braille, which tells you, okay, that’s the left side. I put it on correctly instead of two similarly shaped buttons.
Same controls
The power button is round, while the button to toggle between noise cancellation and ambient mode is like a stick. Because they’re two different shapes, it’s easy to tell between the two when you’re trying to do something.
Finally, if you’re not familiar, there are no physical buttons for volume control. Instead, the right cup has a built-in touch surface. You swipe up and down to control volume, double-tap to press and play or answer a call, swipe forward to skip to the next track, and swipe back to go to the previous one.
You can also tap and hold to bring up the Voice Assistant or rest your palm on it to temporarily switch out of noise cancellation mode. Say you want to be able to hear or talk to someone, Sony calls it Quick Attention mode.
In terms of ports, you get USB-C for charging, and in case you’re wondering, it’s for charging only. You can’t use it for audio, but you can now charge and use them at the same time.
Finally, there’s a full-size 3.5-millimeter headphone jack. Because you can now fold them again, the carrying case is smaller than its predecessor, but still not as small as the ones on the XM4s, which I still prefer, but I like its new magnetic lock mechanism.
Better case
You’ve saved so much time by not having to unzip your case every time you want to take them out. The cases, by the way, are color-matched to the headphones, which, by the way, are available in black, blue, and silver, which is a cream white color. Because portability is of utmost importance to me, I probably will still ditch the case and throw them in a drawstring pouch like this and then check them into my bag.
More than comfy
The Sony XM6s are probably the most comfortable noise-canceling headphones I have ever worn. The cushioning is soft. It crushes and embraces my ears quite well. The clamping force is strong enough to provide a light seal, but not too much where it feels like it might give you a light headache.
The ear cuffs envelop my ear as well, and there’s enough depth, so your ears don’t feel squished. In the week that I’ve been reviewing them, there have been days where I’ve had them on for several hours, and I didn’t feel a sense of relief from suffocation after taking them off.
Lastly, when you have them hanging around your neck, the good news is that you can now have the cups facing inward again, the way I think it should be.
Satisfying ANC
While incredibly popular and consistently on top of many reviewers’ lists, fun fact, both Sony XM3, XM4, and XM5, all use the same QN1 processor. Why change it if it ain’t broke, right? Well, I guess not until you can come up with something better, and it looks like the time is right for that this time around.
In an effort to improve noise cancellation, Sony is getting the XM6 a new QN3 chip, which they say is seven times faster, which is a must for all their real-time analysis and AI optimizations that these guys do.
The chip powers a new adaptive noise-canceling optimizer, which consistently monitors air pressure, among other environmental factors, so it can provide the best kind of noise cancellation, given your current surroundings.
So, whether you’re 30,000 feet in the air or walking down a windy street, it’s constantly adjusting the noise cancellation based on air pressure, and get noise, and even movement. That’s a big leap from the older Auto NC, which basically just changed modes based on location.
Better mics
And they’ve also added four additional microphones, from eight to twelve. And in my tests across both airplane and street noise sounds, the XM6 consistently offered the most satisfying ANC experience compared to the AirPods Max, Bose QC Ultra, and the older XM5.
Versus AirPods Max
For me, the XM6 and the AirPods Max are probably the best in terms of noise cancellation, particularly that’s removing hum, fan noise, and high-frequency beats with ease. The only difference is that it does it with a sort of softness that makes the whole world feel like it’s turned down, but not erased in contrast, the airpods macs create a sharper kind of silence.
Versus Bose QC Ultra
It’s clean, it’s surgical, sometimes surreal, it’s very impressive. Don’t get me wrong, but sometimes almost emotionally detached. The XM5 and the QC Ultra, while competitive, had more inconsistencies. Both canceled low and rumble effectively, but let through more mid and high-frequency noise, sometimes even accentuating certain sounds. Overall, I actually prefer the XM6 as it struck the perfect balance: effective noise cancellation without making me feel disconnected from the world around me.
Transparency mode
Transparency mode was good too. I love how I could just rest my palms on the red cup to have a conversation with someone, or when I’m out and about, I just rely on adaptive sound control, which will switch modes based on what I do. Sony says they’ve added two additional beamforming mics for a total of six. Beamforming is a technique in which a mic’s sensitivity is focused like a beam in a straight line towards a specific direction. In this case, it’s towards your mouth, so while the XM6 blocks out surrounding noise, it can also make sure that your voice pickup is clear.
Mic test
Let’s test it out. Okay, so we have everything set up to test out the beamforming microphones on all of these three headphones. I have my iPhone shooting the video, and then I have partial speakers in the background that are playing a restaurant ambiance from YouTube. Let’s see who does the best job at canceling and acquiring quality.
Okay, so this first clip, as you can see, is using the new XM6, and hopefully those two additional beamforming microphones really zone in on my mouth under what I’m saying, and hopefully it cancels out a lot of that cafe background. Okay, clip number two is switched over to the Bose QC Ultra, and this recording again is using the built-in microphones on these headphones.
The restaurant ambiance is still playing. Let me know if you hear a difference in which microphones sound and last, but not least, Apple’s AirPods Max. The audio that you’re hearing is from the microphones on these headphones, so the ambiance is still playing in the background. And now, after we’ve done three different noise-canceling headphones, I would love to know which one sounds the best.
Your preference?
Okay. So, we’ve listened to the clips a couple of times, and I have to say, when it comes to removing all of that background noise, the person on the other end won’t hear what’s actually going on.
It’s these guys. It was pretty much a clean, quiet room from the sounds of it. However, I will say those additional beamforming microphones on the XM6s also did their job. I think in terms of my audio, I sounded the best on these ones but let me know which of the three clips you appreciated, or you liked the most.
Even better sound
Of course, what good is a pair of noise-canceling headphones if they don’t also sound great? And I know from the point of view of a casual user, most headphones will sound good, but for those who really want to get into the weeds, I spent a full day on a test comparing the XM4 versus the XM5 versus the XM6, the last three generations of Sony’s WH-1000s, as well as against their closest rivals, the Bose QC Ultra and Apple’s AirPods Max.
First, let’s talk about what has changed. Sony is promising a better, more balanced sound overall, but with richer details and clearer vocals, thanks to a new 30mm driver that has a more rigid dome and a perforated voice coil bobbin, as well as tuning by mastering engineers. I know some fans did not like the step down from that 40mm driver on the XM4 to the 30mm driver.
On the XM5, because it came at the cost of bass reproduction, I personally still prefer the XM5s over the XM4s because that clarity really had an improvement, but I did feel missing that warmth that bass, or good bass, provided.
Six categories
In lieu of an audio professional, I had ChatGPT moderate this for me. We chose six categories: vocals and clarity, soundstage and imaging, bass presence and punch, the treble smoothness in air, instrument separation, and genre versatility.
We also picked six tracks, which are some of my personal favorites, as well as some songs that are used by some audio professionals to be able to put headphones to the extreme test, but these tracks were Adele’s “Easy on Me,” Tom Zimmers’ “Time,” Billie Eilish’s “Bad Guy,” Daft Punk’s “Contact,” Radiohead’s “Weird Fishes/Arpeggi,” and The Weeknd’s “Blinding Lights.”
If you’d like to conduct your own test, I’ll add a link to my full article on gadgetmatch.com, where I include my methodology, the track names, time stamps, and as well as what to look for in each track, as well as my whole findings. Let’s just summarize my findings from a full day of listening.
The XM4
I now understand why people love the XM4s. They deliver the most bass out of all the headphones I tested, and that’s partly thanks to their large 40mm drivers, but bass isn’t just about thumps and oof; you also want to be able to hear the nuance of the instruments that create these lower-range sounds.
That’s where the XM4 starts to fall short. It lacks detail and separation. I gave the XM4 an average of 3 out of 5, or 3.
The XM5
Sony improved on that with the XM5, while reducing the driver’s size to 30mm did take away from some of that warmth and bass presence. I found the tuning to be more refined. If you’re someone who likes to listen to different genres and prefers a more valid sound, then you’ll definitely prefer the XM5s, thanks to its cleaner, more versatile sound, but it still feels like a more transitional step. The XM5 scored an average of 3.66.
The XM6
Then came the XM6, and right off the bat, I gotta say I was thoroughly impressed. Even with the same 30mm driver size, the new driver design and tuning changes made a huge difference across the board.
You’ll get a more balanced frequency range, strong separation, and excellent clarity. Vocals and instruments, they both stand out on their own. At the highest, it feels airy.
The bass has warmth, and more importantly, nothing gets muddy. And with more complex tracks like Radiohead’s “Weird Fishes,” the XM6 didn’t just hold its ground; it let each instrument breathe. That kind of layering is something you’d usually associate with wired, more open headphones. The XM6 earned my highest score overall: 4.25 out of 5.
Versus other brands
Okay, now that we’ve done the all-Sony comparison, how does it then compare to the Bose QC Ultra and the Apple AirPods Max?
Bose QC Ultra
The Bose QC Ultra lives up to its reputation for clean, neutral sound, but what surprised me the most about these is something I thought of as an intangible, a visceral reaction to the music that I was listening to while wearing these. But, for example, listening to “Blinding Lights,” this was the headphone that made me want to close my eyes and dance.
It wasn’t always the most detailed. Separation wasn’t as sharp, and sometimes, compared to the XM6, it was a little bit too polite, but it was often the most musical. The energy I felt listening to these was unmatched. Still, it was incredibly strong, overall scoring 4.16 out of 5.
AirPods Max
Finally, the AirPods Max were also a standout.
Apple’s tuning is excellent, and the fact that these headphones haven’t been updated in many years makes it even more impressive. Everything sounds great out of the box, with studio-like balance and clarity, but what truly sets them apart is Apple’s Spatial Audio on Dolby Atmos, and even when you’re listening to regular stereo content, Apple uses AI to create spatialized stereo and personalized Spatial Audio. With these enabled, it genuinely feels like you’re in the same room as the artist. The experience is immersive.
It’s dimensional and unlike anything else in this lineup. On the XM6, Sony actually does something similar. They call it Spatial Up-Mixing, and it’s available in Cinema Mode, regardless of what kind of content you’re listening to, but in my tests, it doesn’t seem to reach the same level as the AirPods Max, and it often comes at the expense of clarity. My only real critique of the AirPods Max is at times they lacked a bit of energy.
But despite that, they were my second-highest score at 4.21 out of 5, just a hair behind the XM6. And just to reiterate, all of these scores just refer to audio.
Battery endurance
Sony is promising the same 30 hours of noise-canceling on the XM6s, and on the XM5s, about 40 hours with NC turned off. In my test, that’s almost about a week of listening. I had these fully charged last Friday, and I’ve been using them all weekend.
It’s now Tuesday, and I believe I have about 80% still left in the tank. Like I mentioned earlier, new is the ability to continue listening to music while plugged in, so basically you can charge and listen at the same time. The XM6 supports fast charging, and a 3-minute charge will give you about 3 hours of listening.
Sound Connected
To dive into all the features and settings of the XM6, you’ll need Sony’s Sound Connect app, available for both iOS and Android. From here, you’ll be able to switch between ambient and noise-canceling modes, listening modes, dive into custom equalizer controls, among other device settings.
And this is where you’ll be able to find adaptive sound control, which can automatically handle switching between modes for you based on what it senses. While you compare the XM6 to multiple devices, it can keep track of two devices so that you don’t have to manually connect and disconnect from them at the same time. Say you’re listening to music on your iPhone? You can also have them connected to your MacBook Pro at the same time.
Pricing and availability
The Sony XM6 is available for pre-order starting today, May 15th, and will retail for just under $450 in the US and $600 in Canada. And for the best deals, make sure to check our links down below. $450 is a $50 increase from its predecessor, but Sony says they intend on keeping both the XM4 and XM5 around. And I was just at Best Buy the other day and have confirmed both are still on shelves. They currently retail for $650 respectively.
Is the Sony WH-1000XM6 your GadgetMatch?
So is the Sony WH-1000XM6 your GadgetMatch? Whether you’re looking for solid noise cancellation or headphones that can produce dynamic, well-balanced audio, you currently can’t get any better than the Sony XM6. They’re comfortable to use, take up less space in a bag, and do everything we expect them to do, right, and do it better.
It deserves a kind of ‘magic seat’ of approval. I guess the only consideration would be price. It is a little bit pricier compared to its competitors, but seeing how the Bose QC Ultras came down in price for a little bit, these might go down in a little bit, so you might want to wait. But if you’re looking for the best of the best, I definitely believe it’s worth it.
And that was our review of the Sony WH-1000XM6—still a mouthful, still a great vibe
Accessories
Insta360 Flow 2 update improves Android support, adds new iOS features
Better Android lens support
Insta360 Flow 2 update improves Android support, adds new iOS features
Excerpt: Better Android lens support
Insta360 has released a major spring update for its Flow 2 series handheld gimbals, bringing wider Android compatibility and new features for iPhone users.
The update focuses on improving how the Flow 2 and Flow 2 Pro work across different devices. It expands support for flagship Android phones while adding new shooting tools for iOS, making hands-free, stabilized video easier to capture without extra gear.
Android finally gets full lens access
One of the biggest changes is native multi-lens support on Android. When paired with the Insta360 app, the Flow 2 series can now access ultra-wide and telephoto lenses on supported devices from Samsung, Google Pixel, vivo, OPPO, and more.
This means users can shoot at full resolution using their phone’s native cameras, whether capturing wide landscapes or zoomed-in details. The update brings Android performance closer to what iPhone users have been getting, especially in more dynamic shooting scenarios like concerts, sports, and vlogging.
The improved lens access also works with features like Widescreen Mode, helping users create smoother, more cinematic footage with better framing flexibility.
Faster 360 panoramas for quick sharing
The Flow 2 series continues to stand out with its ability to capture full 360-degree panoramas. With the new 360 Panorama 2.0, stitching is now 50% faster, producing results in about 20 seconds.
Users can capture everything in one go, then choose their preferred framing afterward. The feature also supports interactive sharing via links, letting viewers pan and explore the image on platforms like TikTok and Instagram.
Creative templates such as Tiny Planet are also available for quick edits, making it easier to turn panoramic shots into shareable content.
Dual View adds more angles in one take
Dual View Mode introduces multi-angle recording without the need for additional cameras. It allows simultaneous recording using the front and rear cameras, or even dual rear lenses, producing three clips in a single take.
This is useful for creators who want to capture reactions alongside the main shot or experiment with different focal lengths at once. Combined with AI tracking, the feature keeps subjects centered while adding more variety to footage.
Apple Watch control for hands-free shooting
For iPhone users, the update adds Apple Watch control, turning the watch into a remote for the gimbal.
Users can start or stop recording, adjust settings, switch modes, and even control zoom using the Digital Crown. This allows for better control during solo shoots, especially when the phone is mounted on the gimbal at a distance.
Smarter tracking and remote control tools
The update also improves several AI-powered features across the Flow 2 series.
AI Tracker now works across more Android apps, enabling subject tracking during video calls, livestreams, or hands-free recording. Multi-person tracking keeps groups in frame, while Active Zoom Tracking allows up to 15x zoom while maintaining focus on moving subjects.
There’s also a new smartphone remote control feature, which lets users operate the gimbal using a second phone. This adds flexibility for more complex shooting setups without interrupting the shot.
Availability
The update is available now through the Insta360 app and the official website. Compatibility may vary depending on the smartphone model.
Accessories
Jabra launches PanaCast Room Kit for simpler hybrid meetings
The function room setup that doesn’t need an IT guy
Jabra is expanding its hybrid work ecosystem with the new PanaCast Room Kit.
It’s a video conferencing solution built for meeting rooms. But it skips the usual complexity. No tangled cables, no custom programming, and no need for IT on standby.
The kit is designed for teams of three to 15 people. Setup takes minutes: Connect the cameras, place the speakers and microphones, and link everything with a single cable.
That’s it. A standard room becomes a smart collaboration space without the usual friction.
Built for inclusive meetings
At the center of the experience is the PanaCast 55 VBS.
It uses a 180-degree multi-camera system powered by onboard AI. Jabra’s Virtual Director technology tracks speakers and reframes the view in real time.
Everyone stays visible. Even those seated at the far end of the table.
The goal is simple. Make remote participants feel like they’re in the room.
Audio keeps up with that promise. The PanaCast SpeakerMic extends coverage up to 11 meters. Every voice comes through clearly and at a consistent volume. No need to raise your voice just to be heard.
No-fuss by design
The system adds a Huddly L1 camera for a secondary angle. This gives meetings a more complete and inclusive view.
There’s also the Jabra Control IP touch controller. It handles meetings with simple, one-touch controls.
Everything works together with minimal input. No manual pan-tilt-zoom adjustments. No audio balancing. The AI handles it.
Enterprise-ready, plug-and-play simple
The PanaCast Room Kit is fully UC-certified. It works with Microsoft Teams, Zoom, and Google Meet.
It also runs on the Microsoft Device Ecosystem Platform (MDEP), bringing enterprise-grade security and reliability.
The idea is straightforward. High-end meeting tech shouldn’t be hard to use.
From small huddle spaces to larger boardrooms, the kit scales without added complexity. It removes the usual barriers to hybrid collaboration.
Whether it’s a quick team sync or a full boardroom discussion, the PanaCast Room Kit aims to give everyone a front-row seat.
Accessories
Sony announces open-back INZONE H6 Air
Deeper and tighter bass, more immersive gaming soundscape
Gamers are set to get another immersive headphones from Sony with the launch of the INZONE H6 Air.
This latest offering features an open-back acoustic structure and custom drivers for deep and tight bass, thanks to back ducts integrated into the drivers.
The open-back structure also helps with a realistic immersive sound field, making gamers feel they are in the game space.
This design minimizes internal reflections by leaving the housing unobstructed. The result is accurate sound field reproduction exactly as game creators intended.
The Sony INZONE H6 Air also features precision-tuned driver units engineered with the same technology as Sony’s renowned MDR-MV1 open-back studio monitor headsets. It is specially adapted for this particular wearable.
Back ducts integrated into the driver unit help deliver deep and controlled bass reproduction, while maintaining clear separation of mids and lows. This detail is helpful especially for titles where rich sound detail matters.
Crafted with premium aluminum, the INZONE H6 Air is also one of Sony’s lightest gaming headsets at just 199 grams. The headset uses the same spring hinge headband design seen on the INZONE H9 II.
Furthermore, the headset features an “RPG/Adventure” equalizer profile as it is developed with sound engineers from PlayStation Studios.
This specific profile is optimized for RPG and adventure titles, recreating the acoustic experience of a sound studio and delivering an immersive listening experience.
An additional cardioid boom mic focuses on voice angled towards the user’s mouth, eliminating unnecessary side noise.
Fnatic Edition devices, INZONE Buds Glass Purple
In addition to the Sony INZONE H6 Air, Sony has launched the Fnatic Editions of the INZONE Mouse-A, INZONE Mat-F, and INZONE Mat-D.
This next step in the collaboration between Sony and Fnatic makes the professional esports club even more present in fans’ daily gaming experience.
Rounding out the new releases is the INZONE Buds in Glass Purple colorway. This joins the previous black and white options, giving owners plenty of choices to suit their styles.
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