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Now Playing: 28 Years Later: The Bone Temple

The Bone Temple picks up where the previous film left off.

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When 28 Years Later came out last year, it disrupted the traditional flow of zombie films. Contrary to expectations, the third film in an ongoing series did not see the sudden breakdown of an uninfected group of survivors. Rather, it’s a coming-of-age story wrapped a zombie-flavored coating. It’s a revolutionary reimagining of Danny Boyle’s classic zombie series. Now, 28 Years Later: The Bone Temple completes the franchise’s transition into something else entirely different.

The Bone Temple starts off almost immediately after the events of the previous film. Spike (Alfie Williams) joins an eccentric group of survivors called “the Jimmys,” who all dress up like Jimmy Saville. It quickly takes a turn for the worse when Jimmy Crystal (Jack O’Connell), the gang’s leader, shows off a sadistic streak towards the gang’s members and other survivors.

In the meantime, Dr. Ian Kelson (Ralph Fiennes) continues his peaceful mission to memorialize the dead. However, after taking care of Spike’s mom in the previous film, Kelson decides to embark on a tougher mission: curing Samson, an Alpha zombie who resides near Kelson’s camp.

Zombies, begone

28 Years Later confirmed that the zombie pandemic was successfully isolated to the British Isles. Since it’s literally 28 years after the first outbreak, the Isles aren’t as inundated with zombies anymore. In the previous film, zombies were a present threat, but they didn’t always lead to an entire horde stampeding over survivors.

In The Bone Temple, zombies are even less of a danger, especially when compared to the more brutal Jimmy gang. Except for an occasional attack, none of the human characters were really scared of zombies. In fact, the traditional rules of fighting zombies have seemingly gone out the window. Characters shout and make noise with no regard for zombies, for example.

Strangely, the franchise’s transition away from the chaos of zombies works. After all, how many times can movies rehash the tired trope of a society collapsing because of an infection? The Bone Temple isn’t about zombies anymore; it’s about what happens after, when society devolves into absurd factions and personalities.

A compelling cast of characters

The previous film had some reactions complaining about the shift away from zombies. If you came into The Bone Temple looking for a straight-up zombie story, you will also leave disappointed.

However, if you stick around, The Bone Temple features a superbly interesting suite of characters for a post-apocalyptic setting. Both Jimmy Crystal and Dr. Kelson aren’t run-of-the-mill survivors grumbling about the difficulties of a postapocalyptic world. Both know what to do and know what they must become. It’s compelling to see how they reach their goals or, in some cases, their comeuppance.

Jimmy Crystal sees himself as the son of Old Nick, an old euphemism for Satan. He wants to sow discord and terrorize other survivors. To him, the zombie outbreak is a religious one, a result of Satan bringing forth demons to the world. He treats death as his duty, especially when done through violent means.

In contrast, Dr. Kelson believes in science. He bathes in iodine to stave off infection. In fact, he believes that the zombie virus is curable or, at the very least, manageable. For him, death is a fact of life but one that needs to be respected. His monument, or the titular Bone Temple, is a testimony that everyone who died was a human being, not a mindless zombie.

It’s these drives that make The Bone Temple so engaging. You will want one to succeed, and the other to get his just desserts.

A bombastic finish

When you watch Jimmy and Dr. Kelson work their way through the film, one thing becomes apparent: Both ideologies are set for a collision course against each other. A meeting between the two feels inevitable, but you just won’t know how yet.

Now, some things are better off being experienced. Though, like the previous film, The Bone Temple starts more methodically and more deliberately, it will all lead to one of the craziest endings I’ve seen in modern cinema. Even if you’ve watched the film’s trailers, you’re bound to still gape in awe of what it has in store. All I’ll say is, even in this messed up future, Iron Maiden is still an icon of heavy metal.

In its insanity, which shall not be named in this review, The Bone Temple proves that the franchise wants to be something more than just another zombie flick. And, after all’s been said and done in this clash of ideologies, the promise of hope remains, along with the expectation of an even grander conclusion in the upcoming third movie in the 28 Years Later trilogy.

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X-Men ’97 returns to Disney+ for second season

Emmy-nominated series to continue mutant team’s story

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Marvel Animation’s Emmy-nominated X-Men ’97 is returning to Disney+ for a second season, starting July 1.

Along with this announcement, a trailer and poster have been made available. The first season of the animated series was one of the most-watched Disney+ originals, and a hit with fans and critics alike.

Season 2 continues with the heroic mutant team of X-Men, divided and thrown across different eras in time as they struggle to navigate their return home.

Meanwhile, back in the 1990s, suspicious foes and new strains of mutant intolerance are on the rise in the wake of the protagonists’ absence.

The second season will be comprised of nine episodes. The voice cast includes:

  • Ross Marquand as Professor X
  • Matthew Waterson as Magneto
  • Ray Chase as Cyclops
  • Jennifer Hale as Jean Grey
  • Alison Sealy-Smith as Storm
  • Cal Dodd as Wolverine
  • Lenore Zann as Rogue
  • George Buza as Beast

The series is executive produced by Brad Winderbaum, Kevin Feige, Louis D’Esposito, Dana Vasquez-Eberhardt, Julia Lewald, Eric Lewald, Larry Houston, and Beau DeMayo.

Jake Castorena serves as the supervising producer. Episodes were written by JB Ballard, Beau DeMayo, Bailey Moore, Antony Sellitti, Brian Ford Sullivan, and Mariah Wilson.

The episodic directors are Emmett Yonemura and Chase Conley.

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Now Playing: The Mandalorian and Grogu

This is the way

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The Mandalorian and Grogu
Image from StarWars.com

It’s been a while since a Star Wars movie made me walk out of a cinema feeling genuinely pumped. Not necessarily emotional nor mind-blown. And not even scrambling to re-evaluate the entire franchise. Just… pumped.

The Mandalorian and Grogu feels like a proper Star Wars blockbuster again. The kind built for crowded cinemas, loud reactions, and collective gasps during action sequences. More importantly, it feels approachable in a way the franchise hasn’t always managed to be lately.

As someone whose interest in Star Wars slowly waned after The Rise of Skywalker, this movie felt oddly refreshing.

I watched the film alongside occasional GadgetMatch contributor Dawn, whose relationship with Star Wars sits somewhere adjacent to mine. Familiar with the Skywalker Saga and select spin-offs, but not necessarily deep into every corner of the lore either. Not because it reinvented the wheel. Quite the opposite, actually. It understood exactly what kind of movie it wanted to be.

I came into the film fairly blind. No rewatches, just a little prep work, and no “required viewing” marathons beforehand. And somehow, none of that really mattered.

Even without context from multiple seasons of Disney+ shows, Din Djarin and Grogu’s bond clicks almost immediately. You don’t need a detailed explanation for why these two care deeply about each other. The movie trusts viewers enough to simply accept their connection and move forward.

Grogu also remains ABSOLUTELY THE CUTEST. No further notes.

Well, maybe one more note.

That little guy carries an absurd amount of emotional weight throughout the movie. Whether he’s unintentionally causing chaos, silently reacting to situations, or simply existing onscreen, he consistently draws laughs and reactions from the audience.

There’s one sequence in particular where Grogu takes care of Din that managed to get a few giggles. It’s a small moment, but one that perfectly captures why this duo works. They don’t feel manufactured. They just feel natural.

Safe storytelling done right

One thing we kept coming back to after the screening was how easy the movie was to watch. Not “easy” in a dismissive way. More accessible and comfortable.

It’s the kind of blockbuster that lets you settle into the experience without requiring homework beforehand.

One observation that stood out during our post-movie discussion was describing the film as a “palate cleanser spin-off.” Despite growing up with the Skywalker Saga and several Star Wars spin-offs herself, she appreciated how welcoming the film felt.

“It’s interesting enough to lure you back into the lore and fall back into love with the franchise,” she said.

That really captures the movie’s biggest strength.

The Mandalorian and Grogu doesn’t spend its runtime obsessing over lore density or trying to prove how important it is within the larger Star Wars timeline. Instead, it focuses on delivering a straightforward adventure with familiar emotional beats.

Sometimes, that traditional recipe is enough.

There are definitely moments where the story feels predictable. We found ourselves correctly guessing certain developments well before they happened. But surprisingly, that never hurt the experience.

If anything, the predictability made the movie feel oddly comforting.

The film knows when to slow down for tender scenes, when to ramp things up with explosive action, and when to simply let viewers breathe inside its world. There’s also very little visual fatigue throughout the runtime. The pacing stays clean and the movie rarely overstays its welcome.

One of my favorite sequences involved Rotta the Hutt in a gladiator-like setting that weirdly reminded me of Thor: Ragnarok. It was chaotic, funny, and surprisingly entertaining.

Also, I need it on record that I identified with Rotta look-wise.

That comparison was apparently questionable according to my companion for the screening.

A low-friction way back into Star Wars

More than anything else, The Mandalorian and Grogu reminded me why people fell in love with Star Wars in the first place.

Not through endless callbacks or franchise homework. But through companionship, adventure, and a healthy helping of heart.

Underneath all the sci-fi spectacle and action sequences is a story about choosing to care for people even when it might not be the smartest thing to do in the moment. Din and Grogu’s relationship may often get described online as father-and-son, but honestly, they felt more like disproportionately-sized bros constantly looking out for each other.

And somehow, that dynamic works incredibly well.

By the end of the movie, we arrived at almost the same conclusion. We wanted more.

Not necessarily because this was the greatest Star Wars story ever told. It isn’t trying to be. But it successfully reignited interest in a franchise that can sometimes feel daunting from the outside looking in.

One immediate effect of the movie was successfully convincing my co-viewer to finally start The Mandalorian Season 1 once schedules calm down a bit. In the meantime, Grogu doomscrolling on Instagram will apparently suffice.

Meanwhile, I’m suddenly considering diving back into Star Wars shows I skipped over the years. I might check out The Acolyte. Maybe Obi-Wan Kenobi. Maybe even tap into gaming with the adventures of Cal Kestis if time and workload permit.

That’s probably the biggest compliment I can give this movie. It made me want to care again.

For longtime fans, The Mandalorian and Grogu delivers good, clean Star Wars fun with heart and hype.

For newcomers, it offers a surprisingly low-friction entry point into a universe that can otherwise feel overwhelming.

That might be exactly what Star Wars needed right now.

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This Is the Way to the Theater: What to Know Before ‘The Mandalorian & Grogu’

Din Djarin and Grogu Primer

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The Mandalorian and Grogu Final Trailer Screenshot

Strap your Beskar tight and warm up the N-1 Starfighter. The galaxy’s favorite father-son duo is finally hitting the big screen! “The Mandalorian and Grogu” will officially trade the small screen for the cinema this coming May 22. The hype is stronger than a Jedi’s grip on a lightsaber. There’s plenty of ground to cover before the opening crawl starts, whether you’re a hardcore dweller of the Outer Rim or just someone who thinks Grogu is the cutest thing since Ewoks.

This isn’t just another mission; it’s a full-on cinematic event directed by Jon Favreau himself. We’ve rounded up five essential things you need to know before you head to the theater to make sure you aren’t more confused than a Stormtrooper in a hallway. From political shifts in the New Republic to some very surprising new faces, here is your ultimate primer for the next chapter of the Star Wars saga.

1. Brush Up on the “Mando-Verse” (Seasons 1–3)

Now is the time to binge if you haven’t seen the Disney+ series. The film is a direct continuation of Din Djarin’s journey from bounty hunter to adoptive father. You’ll want to remember that Season 3 ended with Din officially adopting Grogu and settling into a quiet life on Nevarro—at least until the New Republic came knocking. Think of this movie as “Season 4,” but with a massive theatrical budget and even shinier Beskar.

2. Don’t Skip “The Book of Boba Fett”

It’s the “homework” no one expected, but Episodes 5 and 6 of The Book of Boba Fett are essentially The Mandalorian Season 2.5. This is where Grogu makes the massive choice to leave Luke Skywalker’s training and return to his “Dad-alorian.” You’ll be very confused about why the little green guy is back in the cockpit instead of lifting rocks at a Jedi temple if you skip these episodes. Unfortunately, this is not a Jedi mind trick.

3. Meet the New Boss: Sigourney Weaver

Sci-fi royalty is officially entering the Star Wars universe! Sigourney Weaver joins the cast as Colonel Ward, a leader of the New Republic’s Adelphi Rangers. Since Din Djarin is now working as a “freelance” operative for the New Republic, she’s basically his high-stakes boss. Seeing the woman who faced down Xenomorphs take on the Imperial Remnant is the crossover we didn’t know we needed.

4. There’s a New Hutt in Town

Move over, Jabba! The Bear star Jeremy Allen White is voicing Rotta the Hutt, Jabba’s son (yes, the “Punky Muffin” from The Clone Wars movie). But don’t expect a cute baby slug; Rotta is now a gladiatorial threat who fights in the pits. If the rumors of him twirling twin hand-axes are true, Din and Grogu are going to have their hands full with this “Hutt-onis Creed.”

5. The Return of Fan Favorites

Keep your eyes peeled for Zeb Orrelios! The Lasat hero from Star Wars Rebels (voiced by Steve Blum) is making his big-screen debut after that brief live-action cameo in the series. With Dave Filoni co-writing, the film is packed with deep-cut references for “Filoni-verse” fans. Plus, rumors of a Martin Scorsese cameo as an Ardennian cook might just make this the most legendary Star Wars cast to date.

The Way is clear: catch up on your streaming, grab your popcorn (and maybe some blue milk), and get ready for a cinematic jump to lightspeed. “The Mandalorian and Grogu” is about to prove that while the galaxy is big, family is the greatest adventure of all. May the Force be with you!

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