Entertainment
Now Playing: ‘Venom: The Last Dance’ is an underwhelming finale
Not how you want to cap a trilogy
You don’t need to have absorbed an overwhelming amount of Marvel or Venom-related material, nor have been a franchise or comics die-hard to say that Venom: The Last Dance is an underwhelming finale.
Sure, there’s a specific lens in literary criticism that allows you to utilize being one. But even if you’re just a casual moviegoer, having knowledge about the first two films in the trilogy and doing your basic research about Knull, Eddie Brock, and the titular anti-hero symbiote should be enough for you to notice how lackadaisical in nature this film turned out.
It’s not even a conversation about how much you know about the nature of symbiotes in the franchise’s fictional world and whatnot. It’s about how poorly this film was stitched given all that information.
When you talk about the final installment in a trilogy, like the last fight in an Ali-Frazier or a Pacquiao-Morales rivalry, you’d naturally expect tons of fireworks. Sadly, this movie did not give us that much. It’s safe to say that viewers expected a whole lot from this installment given the involvement of Knull and everything else.
Speaking of, Knull is straightforwardly an Avengers-level threat. And he was underutilized. That’s in spite of how potent the first act already was. Perhaps it’s the lack of direction of the Sony Spider-Man Universe itself. Maybe it’s still a puzzle how to incorporate Knull in succeeding movies. But there are just so many darn aspects of this finale that could have been done better.
⚠️ Warning: Some spoilers ahead! ⚠️
Not the ‘Last Dance’ we wanted
Granted, the film did not absolutely sucked per se. As mentioned, they built a decent first act that had potential. From teasing viewers with Knull, to introducing where more symbiotes were kept and what to do with them, to Chiwetel Ejiofor’s Rex Strickland’s authoritativeness, Venom: The Last Dance was already there. It made the audience think.
Viewers were introduced to Knull’s Xenophages, which were sent to hunt the duo for the coveted Codex. The initial chase did have some punch in it. Brock and Venom attached themselves to an airplane bound for New York, only to land on a deserted area after being attacked by a Xenophage.
Strickland had his own agenda with the duo, and also went after them. That’s before the three parties crossed paths, with Strickland ultimately losing some of his men.
No follow-up
They just couldn’t follow-up that first act. It was already established how massive a threat Knull was. The Xenophages, we later learned in the movie, also didn’t seem to have a weakness.
The following half hour or so was spent with Brock and Venom finding themselves in Las Vegas, Nevada and stumbling upon an alien enthusiast family led by Martin Moon. I know it’s partly because the Imperium is located just underneath Area 51 and geographically speaking, it’s near Nevada.
But it feels forced. The additional characters were totally optional and, if anything, a waste of screen time. There was no follow-up to the thrill of hunter-versus-the-hunted angle. This could have been the primary focus of the second act to set-up an even bigger finale. This is where they could have snuck in more action. More blood. More brutality, even.
Underwhelming finale
Finally, the movie takes viewers for a battle between Venom and the other symbiotes that have found their way to bodies of Imperium workers, and a horde of Xenophages all determined to retrieve the Codex for Knull.
It was chaotic and explosive for a bit. As mentioned, it didn’t seem that these Xenophages had a weakness. The military, in particular, fired all ammunition possible towards the opponents’ way.
Ultimately, Venom sacrificed himself by fusing onto the Xenophages and undergoing an acid bath to explode and subsequently save everyone involved — and even the world as well. I kind of already figured someone will die anyway, since the third and final movie’s slogan reads “Til Death Do They Part.”
I just hoped for more action and a better-stitched story from start to finish. It could have been a better overall cinematic masterpiece that focused on feeding viewers the concept of “the end” and how to arrive there, since it’s the conclusion of the trilogy. It didn’t feel like that at all. After the final battle, I was like, “Wait, that was it?”
And considering how big the entities were involved, especially Knull, the filmmakers had the opportunity to execute the treatment differently. I’m not even asking of something to a level like Thanos in Avengers: Infinity War, but just something a little bit more.
Maybe Knull is in the wrong cinematic universe. Someone of a godlike stature should be in a pedestal big enough to fuel a major narrative that spans multiple films. You know, like the MCU.
Anyway, towards the end, we even got a montage of Brock and Venom’s best moments throughout the three films, like a cheaper version of the Furious 7 end scene.
Final thoughts
This is just one of those movies you wait to come out on the franchise’s partner streaming platform. It really doesn’t take one to be a geek to differentiate something good like the conclusion of the Infinity Saga from something eyebrow-raising like the next few MCU films that followed.
And yet, some individuals have the gall to even blame it on viewers’ lack of Marvel knowledge. They even go to as far as saying they’re the only ones who will hate Venom: The Last Dance. C’mon. Seriously. This supposed finale sucked.
Look, it’s not that we didn’t appreciate Venom: The Last Dance. But at the same time, if you could just open your eyes, you can see that it’s a waste.
It’s been a while since a Star Wars movie made me walk out of a cinema feeling genuinely pumped. Not necessarily emotional nor mind-blown. And not even scrambling to re-evaluate the entire franchise. Just… pumped.
The Mandalorian and Grogu feels like a proper Star Wars blockbuster again. The kind built for crowded cinemas, loud reactions, and collective gasps during action sequences. More importantly, it feels approachable in a way the franchise hasn’t always managed to be lately.
As someone whose interest in Star Wars slowly waned after The Rise of Skywalker, this movie felt oddly refreshing.
I watched the film alongside occasional GadgetMatch contributor Dawn, whose relationship with Star Wars sits somewhere adjacent to mine. Familiar with the Skywalker Saga and select spin-offs, but not necessarily deep into every corner of the lore either. Not because it reinvented the wheel. Quite the opposite, actually. It understood exactly what kind of movie it wanted to be.
I came into the film fairly blind. No rewatches, just a little prep work, and no “required viewing” marathons beforehand. And somehow, none of that really mattered.
Even without context from multiple seasons of Disney+ shows, Din Djarin and Grogu’s bond clicks almost immediately. You don’t need a detailed explanation for why these two care deeply about each other. The movie trusts viewers enough to simply accept their connection and move forward.
Grogu also remains ABSOLUTELY THE CUTEST. No further notes.
Well, maybe one more note.
That little guy carries an absurd amount of emotional weight throughout the movie. Whether he’s unintentionally causing chaos, silently reacting to situations, or simply existing onscreen, he consistently draws laughs and reactions from the audience.
There’s one sequence in particular where Grogu takes care of Din that managed to get a few giggles. It’s a small moment, but one that perfectly captures why this duo works. They don’t feel manufactured. They just feel natural.
Safe storytelling done right
One thing we kept coming back to after the screening was how easy the movie was to watch. Not “easy” in a dismissive way. More accessible and comfortable.
It’s the kind of blockbuster that lets you settle into the experience without requiring homework beforehand.
One observation that stood out during our post-movie discussion was describing the film as a “palate cleanser spin-off.” Despite growing up with the Skywalker Saga and several Star Wars spin-offs herself, she appreciated how welcoming the film felt.
“It’s interesting enough to lure you back into the lore and fall back into love with the franchise,” she said.
That really captures the movie’s biggest strength.
The Mandalorian and Grogu doesn’t spend its runtime obsessing over lore density or trying to prove how important it is within the larger Star Wars timeline. Instead, it focuses on delivering a straightforward adventure with familiar emotional beats.
Sometimes, that traditional recipe is enough.
There are definitely moments where the story feels predictable. We found ourselves correctly guessing certain developments well before they happened. But surprisingly, that never hurt the experience.
If anything, the predictability made the movie feel oddly comforting.
The film knows when to slow down for tender scenes, when to ramp things up with explosive action, and when to simply let viewers breathe inside its world. There’s also very little visual fatigue throughout the runtime. The pacing stays clean and the movie rarely overstays its welcome.
One of my favorite sequences involved Rotta the Hutt in a gladiator-like setting that weirdly reminded me of Thor: Ragnarok. It was chaotic, funny, and surprisingly entertaining.
Also, I need it on record that I identified with Rotta look-wise.
That comparison was apparently questionable according to my companion for the screening.
A low-friction way back into Star Wars
More than anything else, The Mandalorian and Grogu reminded me why people fell in love with Star Wars in the first place.
Not through endless callbacks or franchise homework. But through companionship, adventure, and a healthy helping of heart.
Underneath all the sci-fi spectacle and action sequences is a story about choosing to care for people even when it might not be the smartest thing to do in the moment. Din and Grogu’s relationship may often get described online as father-and-son, but honestly, they felt more like disproportionately-sized bros constantly looking out for each other.
And somehow, that dynamic works incredibly well.
By the end of the movie, we arrived at almost the same conclusion. We wanted more.
Not necessarily because this was the greatest Star Wars story ever told. It isn’t trying to be. But it successfully reignited interest in a franchise that can sometimes feel daunting from the outside looking in.
One immediate effect of the movie was successfully convincing my co-viewer to finally start The Mandalorian Season 1 once schedules calm down a bit. In the meantime, Grogu doomscrolling on Instagram will apparently suffice.
Meanwhile, I’m suddenly considering diving back into Star Wars shows I skipped over the years. I might check out The Acolyte. Maybe Obi-Wan Kenobi. Maybe even tap into gaming with the adventures of Cal Kestis if time and workload permit.
That’s probably the biggest compliment I can give this movie. It made me want to care again.
For longtime fans, The Mandalorian and Grogu delivers good, clean Star Wars fun with heart and hype.
For newcomers, it offers a surprisingly low-friction entry point into a universe that can otherwise feel overwhelming.
That might be exactly what Star Wars needed right now.
Entertainment
This Is the Way to the Theater: What to Know Before ‘The Mandalorian & Grogu’
Din Djarin and Grogu Primer
Strap your Beskar tight and warm up the N-1 Starfighter. The galaxy’s favorite father-son duo is finally hitting the big screen! “The Mandalorian and Grogu” will officially trade the small screen for the cinema this coming May 22. The hype is stronger than a Jedi’s grip on a lightsaber. There’s plenty of ground to cover before the opening crawl starts, whether you’re a hardcore dweller of the Outer Rim or just someone who thinks Grogu is the cutest thing since Ewoks.
This isn’t just another mission; it’s a full-on cinematic event directed by Jon Favreau himself. We’ve rounded up five essential things you need to know before you head to the theater to make sure you aren’t more confused than a Stormtrooper in a hallway. From political shifts in the New Republic to some very surprising new faces, here is your ultimate primer for the next chapter of the Star Wars saga.
1. Brush Up on the “Mando-Verse” (Seasons 1–3)
Now is the time to binge if you haven’t seen the Disney+ series. The film is a direct continuation of Din Djarin’s journey from bounty hunter to adoptive father. You’ll want to remember that Season 3 ended with Din officially adopting Grogu and settling into a quiet life on Nevarro—at least until the New Republic came knocking. Think of this movie as “Season 4,” but with a massive theatrical budget and even shinier Beskar.
2. Don’t Skip “The Book of Boba Fett”
It’s the “homework” no one expected, but Episodes 5 and 6 of The Book of Boba Fett are essentially The Mandalorian Season 2.5. This is where Grogu makes the massive choice to leave Luke Skywalker’s training and return to his “Dad-alorian.” You’ll be very confused about why the little green guy is back in the cockpit instead of lifting rocks at a Jedi temple if you skip these episodes. Unfortunately, this is not a Jedi mind trick.
3. Meet the New Boss: Sigourney Weaver
Sci-fi royalty is officially entering the Star Wars universe! Sigourney Weaver joins the cast as Colonel Ward, a leader of the New Republic’s Adelphi Rangers. Since Din Djarin is now working as a “freelance” operative for the New Republic, she’s basically his high-stakes boss. Seeing the woman who faced down Xenomorphs take on the Imperial Remnant is the crossover we didn’t know we needed.
4. There’s a New Hutt in Town
Move over, Jabba! The Bear star Jeremy Allen White is voicing Rotta the Hutt, Jabba’s son (yes, the “Punky Muffin” from The Clone Wars movie). But don’t expect a cute baby slug; Rotta is now a gladiatorial threat who fights in the pits. If the rumors of him twirling twin hand-axes are true, Din and Grogu are going to have their hands full with this “Hutt-onis Creed.”
5. The Return of Fan Favorites
Keep your eyes peeled for Zeb Orrelios! The Lasat hero from Star Wars Rebels (voiced by Steve Blum) is making his big-screen debut after that brief live-action cameo in the series. With Dave Filoni co-writing, the film is packed with deep-cut references for “Filoni-verse” fans. Plus, rumors of a Martin Scorsese cameo as an Ardennian cook might just make this the most legendary Star Wars cast to date.
The Way is clear: catch up on your streaming, grab your popcorn (and maybe some blue milk), and get ready for a cinematic jump to lightspeed. “The Mandalorian and Grogu” is about to prove that while the galaxy is big, family is the greatest adventure of all. May the Force be with you!
I was hyped and pleasantly surprised walking out of the cinema.
Mortal Kombat II is proof that something great can emerge even from a shoddy foundation.
Where Mortal Kombat I felt like a high budget Hollywood B movie. The sequel levels everything up. It felt a lot more confident from the start—like it knew exactly what it wanted to be.
It didn’t take long to feel the difference either. Somewhere within the first hour, it was already clear this was operating on a completely different level.
Night and day from MK1
It’s funny because I didn’t even see Mortal Kombat I until a day before Mortal Kombat II’s screening.
There was a moment when the main characters were journeying through the desert. I paused, watched something else, then came back just to power through. That wasn’t the case with MK II.
MK1 had a really strong start showcasing the history between Scorpion and Sub-Zero, but it quickly went downhill. The main character was easily its weakest part. MK II fixes that by finally telling the story from the lens of actual characters that exist in Mortal Kombat lore.
If anything, the biggest difference is tone. MK1 felt like it took itself a little too seriously. MK II is self-aware of how absurd everything is. It’s campy without being too cheeky.
And more importantly—it actually feels like a proper action blockbuster. Not stitched together. Not dragging. Just locked in from start to finish.
Cage & Kitana
Johnny Cage and Kitana brought their own brand of charisma, humor, and energy. They were the perfect anchors for the kind of story MK II wanted to tell.
Cage, especially, changes the tone of every scene he’s in. He feels like what Cole Young should have been—a self-aware, not too serious lens for the audience to grasp the world of Mortal Kombat.
Where Cage is the funny, grounded audience stand-in, Kitana is the heart and soul of the film.
It’s her story that kicks things off. While MK1 arguably had the stronger intro, MK II delivers a more consistent vibe and energy throughout. Kitana’s emotional journey becomes the core, and her growth alongside Cage’s is what ties everything together.
The returning cast, meanwhile, feels like proper foundations. Like veterans welcoming new, highly billed members and giving them space to shine.
And then there’s Kano. Absolutely loved Kano here. He was already an asshole in the first one—and somehow even more so in the sequel. But this time, his motivations and decisions actually make even more sense. His banter with Cage was also hilarious.
It’s a fighting game movie. Relax.
A lot of the charm comes from how the movie embraces its absurdity.
Johnny Cage, in particular, calls out everything that sounds ridiculous about the Mortal Kombat tournament. He practically calls it unbelievably stupid without actually saying it—but does it in a way that’s inviting and incredibly funny.
It feels self-aware that it’s a campy fighting game movie—and it fully commits to that. That balance is what lets it be corny, campy, absurd, and bizarre… but in an endearing way.
There’s also some heart here. Like I said, Cage brings the humor, but Kitana brings the emotional weight. She grounds the film without clashing with its tone. Her journey gives the story something to hold onto beyond just fights.
And yes, even if it’s tighter than the first film, there will still be moments where you go, “huh?” That’s fine.
This is a fighting game movie. These stories are rarely known for being deep. What matters is that MK II makes the most of what it has—and finds a solid balance of humor, heart, and chaos.
Finish him.
The fights are just better. Plain and simple.
They’re edited better. Yes, there are still quick cuts—very Hollywood—but the sequences feel more sustained. Each hit also felt weightier than the first film. You actually feel the impact.
And when the fatalities come, they hit harder. They’re at the right level of gore—not too much, not too little. Each one gets a reaction. They’re cool without being self-indulgent.
What also helps is how distinct each fight feels. They lean into each character’s style, so nothing feels repetitive. It genuinely feels like the fighting game come to life.
The pacing is spot on too. People wanted a tournament—and that’s exactly what we got. Fights come one after the other in the best way possible, and each one tells its own story without taking away from the main plot.
It really does feel like a proper tournament arc. And a damn good one at that.
Flawless Victory? Not quite.
There are still moments that will make casual viewers go, “huh?” Some lines of dialogue. Some head-scratching beats. But given the film’s tone, they land anyway.
The story is tighter, but still shallow. It’s a fighting game movie—don’t expect it to say anything profound. Its job is to tie everything together and build around the fights, and that’s exactly what it does.
There are still small messy moments here and there. But you’ll likely walk away on a high. Maybe even wanting to watch it again. Because everything it does right—it does really well.
If this were a fighting game match, MK1 felt like barely scraping by but still getting the win in Round 1. Then, Mortal Kombat II is the second round which feels more like a definitive victory.
And yeah—Kitana? She’ll make you glad you have eyes. Will make you want to shout “Get over here” every time she’s on screen.
-
Reviews1 week agoHONOR 600 Pro review
-
Singapore2 weeks agoSony Xperia 1 VIII arrives with AI Camera Assistant, bigger telephoto sensor
-
Reviews2 weeks agovivo X300 FE review: Don’t judge the camera by its cutout
-
News2 weeks agoHONOR Magic8 Pro gets Android 17 Beta 3 support early
-
Gaming2 weeks agoSEGA/ATLUS, animate launch year-long collaboration featuring popular IPs
-
Accessories4 days agoThe UGREEN Nexode Air 65W is the only charger I travel with now
-
Convenient Smart Home2 weeks agoSpotlight: The Tech Behind Every Screen You Use
-
News1 week agoXiaomi is making it easier for customers in the PH to shop















