“We don’t listen enough.”
That’s what PumaPodcast — the first podcast network in the Philippines — hopes to change. The network officially launched in August 2019 but a lot of their shows have already been available to stream since the start of the year.
As of right now, they have a variety of shows including a newscast called Headlines, a show that tackles legal issues, and another that discusses culture, politics, religion, and everything else that makes Filipinos well, Filipino. There are plenty more and you can check them all out on their Spotify page.
PumaPodcast believes listening gives us a new perspective on things we think we already know about. Which is why they set out to be on platforms that people are already on.
“‘How many Filipinos listen to podcasts?’ is the wrong question. The question is, how many people are on Google, Spotify, Youtube?” says our founder @robyalampay.
Filipinos are already on these platforms. It’s about introducing people to podcasts on platforms they already use. pic.twitter.com/aITLpLqZfT
— PumaPodcast (@PumaPodcastPH) August 3, 2019
To get a better idea of what the network is trying to do and also get some podcasting tips on the side, we spoke with one of their hosts — Ceej Tantengco.
Ceej is a sports reporter, gender equality advocate, and three- time Palanca Award-winning writer. She’s the host of Go Hard Girls which hopes to shine a spotlight on underrated Filipina athletes. It also imagines what the industry would be like if it was better for women.
Read the full interview below:
1) Podcasting appears to be enjoying some sort of renaissance, why do you think that is?
More than a renaissance, I think it’s that podcasts are finally hitting their stride in the Philippines. There have been individual podcasts by Filipino creators that have become popular locally, but just a few years ago I’d often hear people say they listen to Mo Twister but not really any other podcasts.
In America, podcasting is a culture that started, kept going, and it’s now at what the New York Times calls “peak podcast.” They joke that everyone and their mom has a podcast in America, but you also have incredible shows like Serial, NPR’s Invisibilia, This American Life and 99% Invisible that push the boundaries of audio storytelling way beyond the usual talk format. The variety is just incredible. One of my favorite podcasts is LeVar Burton Reads, where he picks a short story (usually sci-fi or speculative fiction) and turns it into something that’s both audiobook and immersive experience.
And as more Filipinos consume those kinds of podcasts from abroad, the market for local podcasts grows as well. We’re looking for local perspectives and voices that feel familiar. Here in the Philippines, I think the big wave has only just begun.
2) How did you decide what kind of podcast to do? What to talk about?
First off, It has to be something you’re passionate about. In my case, I’ve been a sports reporter for the past 5 years and I’ve seen the gender gap and how female athletes get less media exposure, or have to deal with gendered comments, or struggle to find sponsors compared to their male counterparts. There’s still a lot of sexism in how our society sees sports—basketball is for boys, volleyball is for girls, blah blah—and I always feel sad when people tell me that “that’s just how it is.”
So Go Hard Girls is me taking matters into my own hands and telling the stories of incredible yet underrated athletes. I’m extremely passionate about what I’m doing in the podcast, and I think that’s something you need to have if you’re getting into podcasting. Putting up a podcast won’t always be easy, but if you’re passionate, you have a reason to power through!
The second thing you need is perspective. A lot of my co-hosts on the PumaPodcast network have unique positions in their industries like Give A Hoot, which talks about communication from the perspective of professionals in advertising and communication strategy; or Te Talks, where former Supreme Court spokesperson Ted Te explains legal issues that affect the Philippines. Why are you in a special position to talk about the topic and what do you add to the public discussion?
3) I don’t exactly have the best voice but I really want to do a podcast. Should I still go for it?
Podcasting isn’t like TV news where there’s a specific type of voice that people look for. Some podcasts are loud and funny, some are soft-spoken and reserved, some are formal and some are casual. But podcasts are audio products and voice quality still matters.
How comfortable are you in front of the mic? Do you stutter or have a lot of dead air? Try doing a test recording and listen to yourself so you know what to practice and how to improve. Editing can also help in cutting out any parts of the recording you aren’t happy with.
4) What equipment should I be looking at to get started?
If you’re just starting out, you could consider using equipment you already have. If you have a phone with a mic and you have a laptop, you can absolutely get started.
If you’re using basic equipment, though, then you should consider taking the time to learn some post-production software. There are free audio editing programs out there, like Audacity, that can improve your sound quality.
If you’re looking for something more ambitious, you can look into microphones. There are condenser mics, dynamic mics, handheld mics, lapel mics, etc. Some of these can plug straight into your laptop or your phone, and some have their own recording capability on their own. Some of them need an audio interface or a mixer if you have multiple mics.
5) Are there places where I can rent out equipment?
Yes! There are many studios where you can rent studio time—that includes use of their equipment, a sound-proofed booth, and a sound engineer who oversees the technical aspects of recording so you can focus on content—as well as post-prod services. If you are just starting out and experimenting, though, it can be an expense that you have to think hard about.
Roar Audio Productions in Makati, though, has a special hourly rate for podcasters that’s lower than the commercial rate for ad agencies and musicians. PumaPodcast’s production arm PumaPublic Productions also offers services for people who specifically are interested in narrative-format podcasts.
If you can’t spare the expense at the moment, you can still make do with what you have and then upgrade as your podcast grows!
6) What should I consider in selecting where to host my podcast?
Price is one thing. There are hosting platforms that are convenient because they’re free, and there are others that can be more costly, but provide more services.
Considerations would be storage (how often are you publishing and what file sizes are you expecting?), the platforms they publish you to, website hosting, or the number of unique feeds (if you’re planning to have multiple shows). What kind of data analytics do you want to get from your pod host? This matters if you have plans to monetize. The more intricate data/metrics, the more expensive the hosting.
7) Is there profit in podcasting?
Theoretically, yes. If you have enough of a following on a particular platform, you can make a profit through ad placements or branded content. Influencers and Youtube creators have done so, and podcasters share some of the same platforms as them.
But just like with social media and with Youtube, it’s not easy. Not everybody can just put up an account and make money off of it. It takes time, effort, and an understanding of your platform and the content you should be creating for it.
Ceej’s podcast Go Hard Girls is currently running a crowdfunding campaign to produce more shows. Click here if you would like to help out. A similar campaign is also ongoing for another show called Give A Hoot which is a series of conversations about stuff that excite or baffle communicators and social change agents.
Accessories
11 must-have accessories for your next tropical escape this summer
What to pack for your next vacation!
Summer isn’t merely a date on a calendar; it’s a visceral, shimmering feeling.
It’s the specific scent of high-end SPF mingling with saltwater, the warmth of the sun on your shoulders as you step off a private jetty in Palawan, and that delicious, light-headed euphoria that comes from knowing you have absolutely nowhere to be, except precisely where you are.
But darlings, a mood this perfect requires maintenance. To navigate this season, one must view accessories not as mere purchases, but as strategic assets.
After all, if an item is bought specifically to prevent a holiday disaster or to match a turquoise horizon, it isn’t “spending” but a self-funded insurance policy. (And we all know insurance is the most adult, responsible thing one can have.)
Here is your definitive guide to the “investments” that will define your summer.
For the high-octane adventurer
If you are the type of person who can trip over a flat surface, the last thing you need on an island-hopping trip is a “phone-overboard” disaster.
The RHINOSHIELD Solid X in Blue is your first line of defense this season. Imagine the scene: you’re trying to capture a 360-degree sunset transition for your followers on a speedboat, the boat hits a wake, and your phone takes a terrifying tumble toward the deck.
While a lesser case would result in a mid-holiday meltdown, the Solid X absorbs the impact well. Its premium matte finish feels like silk against the palm, even in 90% humidity, ensuring your grip never wavers while you’re reaching for that third mango daiquiri.
It’s the “sensible” purchase that allows you to be reckless with your adventures. Technically, it’s peace of mind wrapped in a shade of blue so vibrant it makes the horizon look dull.
Since it saves you from the cost of an emergency replacement, it’s practically paying for itself with every drop.
For the unstoppable power player
For the high-functioning professional who simply cannot leave the “office” behind, having a foldable like the Samsung Galaxy Z Fold 7 means having a portable command center for those mandatory luxury resort check-ins.
But… it deserves better than a bulky, uninspired shell. You need the Pitaka Blue Aramid Fiber case. It’s so thin it feels like the phone is practically naked, yet it’s crafted from material used in fighter jets.
When you unfold that screen to check the exchange rate at a boutique in Bangkok or Gaysorn Village, the sleek, woven texture tells the world you value precision over bulk. It’s “Quiet Luxury” for the tech-obsessed — understated and impossibly chic.
For the hands-free curator
Forget fumbling with a camera while trying to balance a coconut in one hand and a designer clutch in the other.
These Ray-Ban Meta sunglasses in Shiny Jeans Transparent are the secret weapon for the Balinese spiritual retreat.
They allow you to record your walk through the bustling morning markets or the lush Monkey Forest in Ubud completely hands-free.
The transparent frames capture the light of the tropical sun perfectly, giving you that “Creative Director on a sabbatical” look.
This is a camera that lets you capture your POV documentary without missing a single moment of the scenery.
For the seamless traveler
Even if you’re only flying from Singapore to Phuket, your bag should look like you’re embarking on a grand tour of the continent.
The new TUMI Mediterranean collection in Peach and Sky Blue is the only way to travel. The colors are reminiscent of sunrise, and the organization inside is so meticulous. It’s the kind of bag that ensures you are never “that person” frantically digging for a passport at the check-in counter.
You’re the person who glides through the terminal with a peach-hued aura of total control, knowing that even if your flight is delayed, your aesthetic is right on time.
For the sophisticated urbanite
As the sun dips below the skyline and you transition from the infinity pool to a rooftop bar in Ho Chi Minh City or a five-star dinner in Makati, your tech needs a change of attire.
Enter the RHINOSHIELD Air X in Black. If the Solid X is your rugged adventurer, the Air X is your “Little Black Dress” of tech protection. This case is for the moments when you want your phone to disappear into your aesthetic rather than scream for attention. It’s impossibly slim, sliding into a tailored trouser pocket or a tiny evening bag without creating an unsightly bulge.
But don’t let the “Air” moniker fool you; the protection is still world-class. The MagSafe ring on the back is a masterclass in geometric minimalism, allowing you to snap on a battery pack during those long nights of “networking” (read: dancing) without missing a beat.
Since it works with every outfit you own, the “cost-per-wear” is essentially zero, which makes it a fiscal masterstroke.
For the beach club connoisseur
No summer is complete without a basket bag, and the CELINE Classic Panier is the gold standard for any respectable beach club, especially in Bali. It’s the “everything” bag that’s large enough to hold your sunscreen, your secrets, and a spare pair of sandals for when the humidity makes your heels unbearable.
The leather logo is a subtle nod to those who know, making it the perfect companion for a casual lunch at La Brisa that inevitably turns into a three-course affair.
For the private villa host
One cannot rely on the tinny speakers of a hotel room. You need the Marshall Willen.
It looks like a vintage piece of equipment but packs enough punch to fill a private villa with the sounds of Bossa Nova.
The cream finish is “Quiet Luxury” personified, blending into your sand-and-linen aesthetic perfectly. It’s dust-proof and water-resistant, meaning it can handle a little sea spray while you lounge on a catamaran or by the pool.
For the street-style visionary
For those days spent exploring the “hidden” cafes of Seoul-inspired districts in Jakarta or Manila, your iPhone needs the CASETiFY Matin Kim case.
Denim is having a massive moment in street style, and this case allows your phone to join the movement. It’s tactile, it’s trendy, and it adds a touch of “effortless cool” to your mirror selfies. It’s like a tiny pair of designer jeans for your most precious possession, and we all know you can never have too much denim.
For the globetrotter
If your iPhone could talk, it would probably ask for a vacation.
This CASETiFY AirTags case is a whimsical tribute to the lifestyle, covered in a vibrant print of AirTag-style passport stamps.
It serves as a constant reminder of where you’ve been and where you’re going next. It’s the perfect conversation starter when you’re waiting for your next flight to Denpasar or Koh Samui. It essentially acts as a visual manifestation of your future travels. (And manifesting is free!)
For the high-society ironist
When you finally make it to the powdery white sands of Boracay, you need a statement piece that speaks to your high-society sensibilities.
Laying out the Hermès Traffic Jam towel on Station Zero is a stroke of genius. There you are, surrounded by crystal-clear turquoise waters and zero honking horns, reclining on a literal “traffic jam.”
It is a flex; a cheeky nod to the city disarray you’ve successfully escaped. The plush cotton is exactly what your skin deserves after a dip in the ocean.
For the stressed-but-stylish Optimist
Finally, for those moments when the heat gets to you and the “Out of Office” reply isn’t working fast enough, you need the CASETiFY Care Bears Shake-Shake Case.
There is something deeply meditative about watching tiny glittery bears tumble around through a transparent shell. It’s a bit of childhood whimsy for those who refuses to take life — or their accessories — too seriously. Don’t think of it as yet another smartphone case. It’s a portable stress-relief tool for the modern jet-setter who needs a little magic in their day.
A message from the editor: Perhaps, this is an extensive list. But it’s also a collection of absolute necessities for a definitive summer. Each item is a strategic “investment” so go forth, look fabulous, and don’t let the humidity ruin your glow.
Unfiltered
When your fiber Internet connection is treated like a disposable slot
Converge turned me into an evicted subscriber after a year of service.
In the Philippines, we’ve been trained to treat a stable internet connection like a miracle.
We pay our bills on time, hoping the “fiber-fast” gods smile upon us so we can work and study, or even stay connected from the comfort of our homes.
But as I found out in the past two weeks after I came from vacation, Converge ICT Solutions doesn’t see you as a loyal customer with a guaranteed service.
To them, you might just be a “slot” in a box; one that can be unplugged the moment it’s convenient for the system.
On May 1, at 11:30 AM, my internet just… died. There were no outage. Just that dreaded blinking red LOS (Loss of Signal) light.
We’ve all been there, right? You restart the modem, you wait, you use your mobile data, and you hope it’s just a temporary glitch. I didn’t know then that I hadn’t just lost my connection. I had been replaced.
Port-snatchers in the telephone room
The next morning, a repair crew showed up at my condominium. After checking the lines inside my unit, we went out to the hallway to check the telephone room where the NAP box is located.
This is the central hub for our floor, and I’ve been plugged into it for over a year now. I was there first. But when the technicians opened that box, they told me something so ridiculous I thought it was a prank.
My fiber line had been pulled out of its assigned slot. In its place, a newer subscriber — someone who had likely just signed up — was plugged in. I dreaded the fact that my connection wasn’t broken. It was manually removed.
It’s like paying for a reserved parking space in your own building for a year, only to come home and find the building manager gave it to a new tenant because they didn’t want to find a new spot.
In the world of Converge, your seniority and your contract mean nothing if there’s a new installation to be finished.
The “QA” trap where logic dies
This is where it gets truly frustrating. A second repair team came by a few days later and confirmed the situation. They saw the problem, and they knew exactly how to fix it by simply swapping the wires back.
They actually tried to help. But then came the “QA” (Quality Assurance) roadblock. The team told me they couldn’t leave me connected because they needed to “investigate” first.
Even though everyone knew my line was removed to make room for someone else, the “process” became more important than the customer.
It was a total circus. The technicians knew what was wrong but weren’t allowed to fix it. Meanwhile, the office claimed they were investigating while I sat in the dark. To top it off, the automated system kept closing my tickets because I wasn’t “responding” to their automated messages, even though the only response I wanted was a working connection.
I wasn’t a resident in their eyes. I was just an inconvenience in their workflow.
Scary reality of the empty slot
After I started talking about this, I realized I wasn’t alone. I heard stories from other people who had their lines “reassigned” or “swapped” just to get a new installation done quickly.
It’s a scary thought: if a NAP box is full, it seems easier for a technician to just unplug an old client to hook up a new one. It makes the company’s “new activations” look great on paper, while those of us who have been paying for years are suddenly erased from the system.
The most frightening part? As I write this, I am still offline. Despite the technicians seeing with their own eyes that my port was taken, the red light is still blinking.
To add insult to injury, the system already closed my ticket through an automated notice, even though the problem is very much unresolved. I am still waiting for “QA” to finish an investigation into a problem that has an obvious physical fix.
Even with continuous attempts to escalate the issue properly, they were still unable to address the issue.
It makes you realize how powerless you are once you’re stuck inside their machine. We’re not really paying for data. We’re paying for a commitment that seems as thin as a fiber wire.
Next time your LOS light starts blinking red, ask yourself: Is my line actually broken, or did they just give my slot to someone else?
The ongoing WIDE foldable rumors have completely hijacked my brain lately. Not in the “this will change smartphones forever” kind of way. We’ve heard that speech enough times already. I think I’m more fascinated by the fact that the industry seems willing to experiment again.
If we’re being honest, slab phones have kind of reached the point where most improvements now feel like somebody adjusting a character creator slider by two percent and calling it a generational leap.
Foldables were supposed to shake things up. And to be fair, they did. I love big foldables. I love working on them. But after using a bunch of them over the years, it also started feeling like we collectively settled into one idea of what a foldable should be. Tall outer screen. Big square-ish inner screen. Make it thinner every year. Repeat.
Which is why these newer WIDE foldable concepts immediately stood out to me.
WIDE foldables
I’ve seen some people react to the recent WIDE foldable rumors with the usual “nobody asked for this” comments. I get it. We’ve all become a little cynical after years of iterative updates and increasingly microscopic improvements.
But as someone who has covered tech for years now, I think that mindset is a little disingenuous. This is what we’re here for. The weird ideas. The risky ones. The “wait… hold on a minute” devices. Not just endlessly refining the safest possible version of a slab phone.
Maybe this sounds dramatic, but I had a similar realization during a leadership meeting recently. We talked about how content sometimes falls into the trap of sticking to what already works. Safe formats, ideas, and execution. Then I realized I do the exact same thing in my own life.
Sometimes I change my phone case or wallpaper just to make a device feel fresh again. Humans naturally seek renewal. We like rediscovering things. That’s partly why these WIDE foldables immediately caught my attention.
Not because current foldables are bad. Far from it. I love big foldables. I love working on them. But after using a variety of them over the past half decade, it started feeling like the category had settled into one lane. And maybe, just maybe… that lane isn’t the only answer.
We became obsessed with hinges and forgot the experience
A lot of foldable conversations today revolve around hinges, creases, and thinness.
And yes, those are incredible engineering achievements. I’ll never pretend otherwise. Some of these devices are borderline absurd from an engineering standpoint.
But at some point, coverage and marketing around foldables started feeling a little too focused on whether the crease disappeared by 0.3 millimeters or whether the hinge can survive the apocalypse.
That stuff is cool. But none of it matters if the device doesn’t actually feel great to use.
For me, current book-style foldables occasionally feel like the industry asking: “Where else can we take slab phones?”
Instead of asking: “What shape actually makes the most sense for a handheld computer?”
That’s why the potential of WIDE foldables feels so interesting.
And to clarify what I mean here: I’m talking about the form factor that resembles a passport handbook when folded, then opens into a proper rectangular mini-tablet or phablet. Honestly, I think the phablet era might quietly be making a comeback.
The aspect ratio immediately feels more natural to me. Not necessarily revolutionary. Just… coherent.
Maybe we’ve normalized awkward aspect ratios
One thing I’ve always found slightly strange with current foldables is how disconnected the outer and inner screen experiences can feel.
The outer display is usually this tall, narrow portal. Then you unfold it and suddenly you’re looking at a squarer canvas. That works for some things. But not always seamlessly.
Meanwhile, devices like the HUAWEI Pura X Max immediately caught my attention because both displays seem to share a more similar philosophy. Wide rectangles. One smaller. One larger.
Almost like an A5 paper unfolding into A4.
And yes, I know. Saying “paper ratios” in 2026 probably makes me sound like someone who still gets excited about Muji notebooks and mechanical keyboards. Totally not me, but a few people come to mind. I digress.
But think about how we consume media now.
I’m especially excited for this current K-pop comeback season. LE SSERAFIM’s Pureflow Pt. 1. ITZY’s Motto. aespa’s LEMONADE. My algorithm is about to become an absolute disaster.
On a WIDE foldable, going from an MV to member fancams feels significantly more seamless. You simply rotate the device instead of aggressively negotiating with black bars every five seconds.
And if split screen works well enough? Simultaneous bias and bias wrecker fancams. Efficient. Productive, even.
A device like this is also great not only for single person consumption. It also becomes big enough that you can snuggle up and share it with someone you get tactical smooches from.
These feel closer to palm computers than phones
The more I think about WIDE foldables, the more I stop seeing them as phones. Or at least not phones in the traditional sense. They feel closer to modern palm computers.
Maybe this is the part where my inner tech romanticism fully takes over, but when I was younger, I always imagined myself somewhere in a business district handling… well, business… on some sleek handheld device that fit perfectly in my palm.
That fantasy probably came from old depictions of Palm computers, communicators, sci-fi gadgets, and every impossibly cool fictional device that made adulthood look sophisticated.
Now, here we are revisiting those ideas while carrying devices that are exponentially more powerful than the computers that sent people to the moon. And yet we still mostly interact with them through vertical slabs.
That’s why WIDE foldables feel important to me. Not because they’re objectively better, but because they challenge assumptions we’ve normalized for years.
Perhaps that’s really what resonates with me. Not necessarily the promise that this is the “next big thing,” but the fact that it feels like the industry is experimenting again instead of endlessly refining the same shape over and over.
Because if we’re being honest, most foldable conversations lately have devolved into hinges, crease visibility, and how thin manufacturers can make them before someone accidentally folds one with the power of friendship.
Meanwhile I’m over here wondering if we’ve simply gotten too comfortable with vertical slabs.
Maybe WIDE foldables become massive. Perhaps they stay niche. Maybe they become the physical manifestation of “this could’ve been an email.”
I genuinely don’t know.
What I do know is this form factor made my brain light up in a way phones haven’t done in a while.
And after years of covering increasingly iterative devices, that’s refreshing enough for me.
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