Photokina wrapped up over a week ago, but the camera launches keep coming. Sony, in particular, was rather quiet during the show, and now we know why. The company saved its major announcements for today, featuring the Cyber-shot RX100 V compact camera and A6500 mirrorless interchangeable-lens shooter.
Cyber-shot RX100 Mark V
Let’s begin with the smaller one of the two. The RX100 V is minor upgrade over the RX100 IV that came out last year, and we mean minor. Aside from looking just like its predecessor, the newest Cyber-shot shares the same 1-inch, 20.1-megapixel image sensor capable of 4K video recording as last year’s model. Other similarities are the 24-70mm f/1.8-2.8 zoom lens, 3-inch tilting LCD at the back (still no touchscreen, though), and 2.36M-dot OLED pop-up viewfinder.
The real star here is the 315 autofocus points that cover 65 percent of the composition frame. All are phase detection points, which leads to DSLR-like focusing speeds and much better subject tracking, even while recording videos. Equally impressive is the 24 frames per second continuous shooting at full image resolution.
According to Sony, it’ll cost about $1000 and will be available this month. If you’re an RX100 IV user looking to upgrade, we suggest holding back on this one, unless you feel your one-year-old camera is too slow. For everyone else, this is, once again, the best compact camera in the market — as long as you can afford it.
After releasing the A6300 earlier this year, Sony decided to unveil its successor just a few months later. Like the RX100 V, it’s difficult to justify the quick launch of the A6500 based on its looks, but all the upgrades are deep inside.
The A6500 carries over the same APS-C-sized 24.2-megapixel image sensor and 425 phase detection autofocus points of its not-so-old predecessor, as well as 4K video recording and burst shooting of 11 frames per second. What’s truly special is the in-body 5-axis image stabilization and touchscreen LCD on the rear.
Having image stabilization built in means that your shots will be steady even without optical stabilization from the attached lens. If your lens does in fact have a stabilizing motor equipped, your photos will look sharper all the more. With the promise of fantastic low-light performance, you’d be hard-pressed to find a more capable mirrorless camera at this size.
Adding touchscreen functionality to the 3-inch display is another welcome feature. It can’t be used to navigate through menus and settings, but it’s perfect for selecting points of focus during photo and video shooting. You’ll also be glad to know that the A6500 is weather-sealed, making it a lot sturdier than the A6300.
You can purchase the A6500 beginning November for a price of $1400. Definitely not cheap, but if you’re out for the best APS-C mirrorless camera Sony has to offer, this is it. However, if you’re looking for a bargain, the A6300 will definitely go down in price, making it an eventual steal for its still-competitive performance. (Read more: Sony A6300 Hands-On)
Canon EOS M100 hands-on: For your vlogging and #OOTD needs?
Compact and capable!
If you’ve read any of my previous camera reviews (here and here), you’d know that I have specific needs for the shooters I use. I mostly use cameras for vlogging and #OOTD purposes so on top of the list of priorities are ease in use and having the perfect compact size that I can bring around hassle-free — again, there’s no way I’m lugging around a camera the size of my head, I’d rather spend that energy thinking up IG poses.
My camera research led me to try Canon’s EOS M100 camera, their entry-level mirrorless shooter that was released in the latter part of last year. I got a little hands-on time with this camera and here are some thoughts on it.
The M100 has a good size and weight, and when I say good size, I mean I’ll be able to fit it in most medium-size purses without trouble. It has a built-in flash, and the unit I got to try came with a 15-45mm lens which just means it’s a pretty versatile kit — and yes, you can achieve that bokeh effect with this.
If you decide to step up your shooting, you can also switch out this stock lens for something more to your liking since it has interchangeable lenses.
Up top is the power button, settings for either shooting photos or videos, a dial, and video record button.
The back sports a 3-inch LCD and more buttons to navigate through the camera menu. There’s also a dedicated button for the menu, camera connectivity, and playback.
Now, back to that screen. I love how it’s fully touchscreen. You can tap to focus, tap to take photos, and even use it to navigate through the camera menu (which isn’t a function that’s available in all cameras). The best part?
It rotates and becomes a flippity screen — perfect for vlogging! It shoots at 1080p and is capable of 60fps for those beautiful slow-mo videos. Unfortunately, there’s no audio jack on this camera so you’re stuck with the built-in mic for your vlogs.
This 24-megapixel shooter is also capable of Bluetooth, NFC, and Wi-Fi, meaning it connects to your phone so you’ll be able to control your camera remotely and seamlessly transfer photos which is the perfect setup for your #InstagramGoals. I shot a few quick samples with the camera and here they are in their unedited glory:
Now, I’d have to spend more time with the M100 to be able to comment more on its performance but it’s looking like a real beginner powerhouse.
By the looks of it, the Canon EOS M100 might just be a great option for the casual users like me who’d want to shoot with more than just their smartphones for more on-point content. Priced at US$ 499 in the US, and PhP 41,998 (with two kit lenses included) in the Philippines, it may also be a pretty reasonable choice.
Moments: Mt. Maculot
Seen through the Apeman Camera A80
Mt. Maculot is a popular mountain located in the province of Batangas in the Philippines, overlooking a picturesque view of Taal volcano, the world’s smallest active volcano.
Climbing this mountain means scrambling through rocks and steep obstacles — definitely an adventure you need to try for your next getaway.
See Mt. Maculot through the Apeman Camera A80.
Sony A7 III hands-on review
When the basic model is anything but
The introduction of the A7 III follows last year’s 42-megapixel A7R III. Since this is the basic model, it’s a little cheaper, although nothing about it is basic, and we’ll tell you exactly why.
The A7 III kept the basic compact look with a few but important changes. For one, we feel more confident holding the Sony A7 III now that it has a bigger grip than its predecessor’s. This is thanks to a bigger battery that extends its life significantly. More on battery life in just a bit.
Another thing we’re happy about is the use of a joystick for its autofocus point selection. Instead of using the rotating pad like its predecessor the A7 II, setting the autofocus point is now easier to do even on the fly.
It has dual card slots with one slot rated for faster, high-performance memory cards. Just like the A7R III, the A7 III supports charging through USB-C.
A touchscreen display tilts both ways and works well for when you need a low-angle shot or when you shoot from above. However, it doesn’t flip over for selfies since it’s designed more for professional use.
This compact camera is not only built for photos — videographers are kept in mind just like in the previous series. I personally found the video record button on the previous Mark II a little awkward in the corner, but I’m happy to report that it has now been moved to a place that feels easier and more natural to reach.
So what does the A7 III offer and how does it compare to its predecessor, the A7 II? Well, Sony still implemented the same resolution at 24 megapixels, but the A7 III now has a backside illuminated (BSI) design. This means it should do better in both low and bright lighting conditions compared to its CMOS counterpart. Sony’s 5-axis image stabilization also made its way here.
More importantly, the A7 III now features 693 phase-detection autofocus points that almost cover the entire frame just like on the higher-end Sony A9. For comparison, the previous A7 II only had a 117-point AF system.
With its BIONZ X image processor, the A7 III can shoot images faster. How fast? Its 35mm full-frame sensor can shoot still photos continuously at up to 10 frames per second.
Additionally, the ability to shoot up to 4K UHD makes the A7 III a well-rounded camera. There’s Wi-Fi, NFC, and Bluetooth on board for wireless connectivity.
We’ve been using it to shoot both for our travels and work, and we like how its autofocus system is snappy and locks on to subjects quickly. Quality-wise, we’re impressed with its dynamic range maintaining details on both the bright and dark areas. Sony is proud that the A7 III can reach a max ISO of 204800. With that ISO range and the camera’s ability to reduce noise, we get nice photos even with the least amount of lighting.
As mentioned earlier, the A7 III is an all-around shooter. It records at up to 4K resolution at 30fps, and for fans of slowing things down, the full-frame camera shoots up to 120fps at Full HD resolution. If you want more control over your footage, the A7 III can shoot on S-Log profiles just like the higher-end A7R III. In turn, this makes for easier and finer adjustments during post-production.
You can find video samples in our hands-on video embedded at the beginning of this article.
The same battery as the A9 and A7R III’s pumps life into the A7 III. Unlike from the Mark II series, the new battery has twice as much juice. Its updated processor also helps in making the battery more efficient. Sony claims that a single pack can shoot up to 710 shots before needing to be recharged.
In the real world, we were able to use it for more than one shooting session and as long as we start with a fresh pack, we didn’t experience problems running out of juice before our work was done.
Here are the prices for the A7 III in the following countries:
- United States – US$ 2,000 (body only)
- Singapore – SG$ 2,899 (body only)
- Philippines – PhP 115,999 (body only)
It’s half the price of Sony’s high-end A9, US$ 1,000 cheaper than the excellent A7R III, and costs just as much as Panasonic’s popular GH5 which has a much smaller Micro Four Thirds sensor.
Is this your GadgetMatch?
From the time we’ve spent with it, we could definitely say that it excels both in photo and video categories. It’s got a really fast autofocus system which eliminates wasted shots, an option for shooting 4K videos with impressive details, and an improved design that feels more ergonomic to use.
So if you’re looking for a solid all-around performer with a price that’s relatively affordable for what it is and what it does, the Sony A7 III might be for you.
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