Lifestyle
PSA: I think I found the ~perfect~ travel accessory
The JBL Soundgear Frames can play music while you look stylish and cool!
Every time I travel, I put on some main character energy as I walk through the departure halls of an airport. I put a pair of wireless earbuds, play a music about charging onwards a new life, and marvel at the sight of airplanes taking off.
I sit by the lounge, read a novel, and occasionally observe the people while wearing my favorite sunnies. It’s a cool get up, ‘no?
The only downside? I’m stuck in my own little world. So when JBL unveiled the Soundgear Frames, the way I travel changed rapidly.
A pair of sunglasses with built-in speakers that only you can listen to? Sounds like I found the perfect travel accessory.
Pick the right shape and shade
I first got my hands on the JBL Soundgear Frames when I was in Dusit Thani Mactan Cebu, a luxurious, exclusive five-star beachside resort in the heart of Cebu province in the Philippines. The place made it ideal for testing the new wearable.
The stylish pair of audio glasses come in two shapes: round and square. Knowing your face shape is important because choosing the right shape is just the same when you buy your specs and/or sunnies at an eyewear store.
I got mine in square, simply because I’ve been using square sunnies for the longest time. After choosing the right shape, you’d have to pick the right shade.
The Soundgear Frames come in three colors: Onyx, Pearl, and Amber. It’s basically black, white, and brown — but make it posh.
@hemjaye Unboxing the #jblsoundgearframes #foryou #fyp #fypシ #fyppppppppppppppppppppppp #fypp ♬ original sound – The Macarons Project
Of course, the Amber shade worked for my skin tone, making it an easy pick versus the black and white options that might clash with any outfit I put on.
Versatility is important for a travel accessory, so it’s best to choose the ones that’ll work with you in the long-term.
Sun protection while listening to music and nature
Lounging around by the pool side or even by the beach sounds relaxing. You can listen to the peaceful humming of nature–waves crashing, water splashing, winds howling.
On a weekday, I found myself bathing under the sun wearing only the JBL Soundgear Frames. The glasses use UV-blocking lenses, which you can also replace with prescription lenses.
It’s also made from thermoplastic, making it lightweight and comfortable to wear even for hours. Or maybe, I’m just too strong to wear it for a long time. I believe my ears got stronger during the pandemic when I had to wear my specs, a face mask, and a pair of wireless headphones.
As I let myself relax by the pool, I had the JBL Soundgear Frames play Taylor Swift’s “Guilty as Sin?” which has been my anthem for a few weeks.
The music plays through an ultra-thin speaker mounted inside the left and right temples. JBL’s OpenSound Technology lets me enjoy my favorite song while listening to my surroundings. It made having my own little world sweeter, except this time, I’m aware of what’s happening around me.
I get to put on my main character energy to another level, especially when I use music to pump me up and boost my confidence. I mean, who wouldn’t feel a little bit extra when you also listen to “Good Luck, Babe!” by Chappell Roan?
Made for the streets
After some sunny relaxation by the beach, I flew to Ho Chi Minh City, Vietnam (Saigon) to participate on the second leg of Spartan Race’s ASEAN North Series. I was competing in the Age Group Championship under the age bracket of 25-29, the toughest bracket of all ages.
It was also my first time to be in Vietnam, making me anxious especially when crossing the streets. It was quite chaotic: no pedestrian lanes, no traffic enforcers, minimal traffic lights. You’re really on your own.
Luckily, I wasn’t hit by any cars or motorcycles since I still get to put these words out. But what helped me cross streets safely is the JBL Soundgear Frames.
See, in Manila, I tend to put on a pair of wireless earbuds with ANC that doesn’t let you hear there’s an incoming motorist. Using an OpenSound technology allowed me to hear my surroundings, while still giving me that main character moment.
Since Saigon isn’t my territory, I had to be cautious about my belongings. Thankfully, the JBL Soundgear Frames came with hands-free functionality.
I like it hands-free
As long as the unit’s paired with your phone and through the app, just wearing the Soundgear Frames automatically turns it on and connects via Bluetooth. If you want to turn it off, just remove it and put it back to its case, or set it to power down through the app.
When walking along the streets of District 1, the busiest district of Saigon, I tend to adjust my music playback through the Soundgear Frames. I didn’t have to take my phone out of my Pacsafe anti-theft crossbody bag. I just have to tap the temples of the frame.
The touch controls allows adjusting the volume, setting the music to the previous or next track, or even answer or reject a call.
Even in a busy street or a noisy cafe, I get to have a clear conversation. This is because the Soundgear Frames use a two-mic array on its temple, along with noise cancellation features.
Sometimes, I look like a fool talking to myself when in reality, I was talking to someone over my audio glasses. They’ll never know and it’s my little secret.
Make it your own
Like most JBL wearables, the Soundgear Frames can be connected to the JBL Headphones app, which you can download on the App Store or via Play Store.
Through the app, you can get a preview of the device’s battery life, as well as the settings you can explore.
You can set the Equalizer to your liking. For instance, you can choose between Jazz, Vocal, Bass, Club, Studio, Extreme Bass, or you can create your own EQ.
Gestures can also be changed to your preference. Mine stayed in its default settings, though. But what I like about it the most is the adjustment of left and right sound balance.
When someone sat beside me on my left and engaged me in a conversation, I simply switched the sound balance to my right so I can listen on the hot goss while jamming to my favorite music.
It’s not waterproof, babe
Having enough quality time with the JBL Soundgear Frames, I brought it with me in Boracay Island to celebrate my birthday.
I spent most afternoons walking along the beach, enjoying the chatter of the crowd and the sound of the crashing waves. All while listening to Billie Eilish’s “Birds of a Feather” which is the perfect anthem when musing around.
I didn’t dare bringing the Soundgear Frames to the open water, though. Contrary to what most people claim on Instagram and TikTok, the Soundgear Frames isn’t waterproof.
It has an IP54 rating, meaning, it can only handle dust protection and offers splash resistance. It can withstand raindrops and sudden splashes from the pool, but do not ever submerge it.
Both sides of the frame has an open USB-C port for charging the device through a Dual USB-C splitter cable. So if you want the Soundgear Frames to last longer, keep it off the water (and perhaps, your sweat).
This is why I used a different pair of sunglasses during Paraw Sailing, which I lost to the seas when the waves engulfed me. In addition to that misfortune, I was also holding my iPhone the whole time which rendered my lightning port unable to charge due to the liquid detected inside.
Thank heavens I know I can’t bring the JBL Soundgear Frames there. Knowledge is key, people. But I was still stupid enough to carry my iPhone the whole time. Jokes on me.
Is this your GadgetMatch?
The JBL Soundgear Frames is *hands-down* the best travel accessory this year. It’s an affordable option compared to high-end audio glasses that only a select few can relish.
Combine it with JBL’s technology, prominence in creating products with impactful bass and audio, and an innovative feat of mixing fashion and music in a device stylized in a new form factor — the Soundgear Frames is easily a device worth taking a look at.
Any traveler will surely fall in love with the experience, if they give it a try. Because I did, and I think I found my GadgetMatch for the year.
For only PhP 9,499, the JBL Soundgear Frames offers great value especially for those who love fashion, music, and technology. It deserves the GadgetMatch Seal of Approval.
I didn’t watch The Devil Wears Prada when it first came out in 2006.
I came to it a few years later, at a time when I was still figuring things out—career, identity, even the kind of movies I allowed myself to enjoy. It wasn’t something I would’ve picked on my own back then.
At the time, it felt like a story about love versus career. I was about to graduate with a Mass Communication degree, unsure of where I was headed, trying to make sense of both ambition and connection.
Watching it again recently, it lands differently.
It’s less about choosing between two things—and more about understanding who you are, and having the courage to follow that honestly.
That’s what makes The Devil Wears Prada 2 feel so deliberate. It doesn’t just revisit the past. It builds on it.
Growth over spectacle
There’s a version of this sequel that could’ve leaned entirely on nostalgia. Bigger moments. Sharper outfits. A louder version of what already worked.
This isn’t that.
The film is grander, but in ways that feel earned. It embraces the 20-year gap instead of ignoring it, placing its characters exactly where you’d expect them to be—not in status, but in spirit.
Miranda Priestly still commands every room, but no longer feels as unassailable as she once did.
Andy Sachs carries experience. She’s no longer the green assistant, but an accomplished journalist whose relationship with Miranda still shapes her decisions.
Emily Charlton feels fully realized—no longer orbiting power, but owning her place within it.
And Nigel remains a pillar. Dependable to both Miranda and Andy, an almost invisible hand that guides more than it claims.
None of them feel stuck in who they were. That’s the point.
What it says about the work
This is where the film hit me the hardest.
Working in tech media, I constantly see the push toward generative AI—toward making everything faster, more efficient, more scalable. A lot of it is impressive. Some of it is genuinely useful.
But some of it is also unsettling.
We’re at a point where generative visuals can fool people. Where audio—music even—can sound convincing enough that you stop questioning where it came from. That’s the part that lingers.
Because music, for me, is personal. It’s how I process things. And realizing that something artificial can mimic that emotional weight—even if imperfectly—feels dangerous in a quieter, harder-to-define way.
This film doesn’t shout about AI. It doesn’t need to. Instead, it argues for something more fundamental.
That the human touch still matters.
That taste, judgment, and intention aren’t things you can replicate at scale.
That the pain of heartbreak, the joy of victory, and the complicated weight of living—these are things that come from experience. And experience leaves a mark. We leave a part of ourselves in everything we create, whether we mean to or not.
That’s something I don’t think can ever be fully replicated.
AI is a helpful tool. But it should not be relied upon for things that require a piece of our soul.
Direction that understands power
A lot of that message lands because of how The Devil Wears Prada 2 is directed.
Blocking and staging do most of the talking. Who stands where, who moves first, who stays still—these choices define power before any dialogue kicks in.
The camera follows emotion closely. Moments of uncertainty feel slightly unsteady. Scenes of control are composed and precise.
It’s not trying to impress you. It knows exactly what it’s doing.
Sound that knows its place
The sound design follows that same discipline.
Nothing competes. Nothing distracts.
Every element feels intentional–supporting the scene instead of demanding attention. It’s cohesive in a way that’s easy to overlook, but once you notice it, you realize how much it’s doing.
Dialogue that winks, but doesn’t linger
There are a few “wink” moments–lines that echo the original, callbacks that longtime fans will catch instantly.
But the film shows restraint.
It never lets those moments take over. They’re accents, not the foundation.
Nostalgia used with purpose
That restraint carries through how the film handles nostalgia as a whole.
It doesn’t rely on it. It uses it.
Parallels to the original are there, but they exist to highlight change—not to recreate what once worked.
It’s less about remembering.More about understanding what time has done.
Why it works now
What makes The Devil Wears Prada 2 land isn’t just that it’s well-made.
It’s that it feels necessary.
In a world that keeps pushing toward speed, output, and efficiency, this film slows things down just enough to remind you what actually matters.
The intention behind every line, every scene feels sharp—like it could only come from people who care. Who care about the craft. Who care about making something that connects.
It might sound like a tired argument. But it’s still true.
The breadth and depth of humans who care is irreplaceable.
The teaser trailer for DC Studio’s horror thriller, Clayface, has just been released. It is the studio’s first-ever foray into the genre, with the film co-written by Mike Flanagan and directed by James Watkins.
The R-rated standalone film is still part of the new James Gunn DC Universe, taking place within the main DCU timeline before the events of the 2025 Superman.
It stars Tom Rhys Harries as the titular Gotham City villain. He is joined by Naomi Ackie, David Dencik, Max Minghella, Eddie Marsan, Nancy Carroll, and Joshua James.
The film opens internationally on October 21 and in North America on October 23.
Here’s a quick look at the film’s teaser trailer:
Clayface explores one man’s horrifying descent from rising Hollywood star to revenge-filled monster.
The story revolves around the loss of one’s identity and humanity, corrosive love, and dark underbelly of scientific ambition.
Joining Watkins in his creative team are director of photography Rob Hardy, production designer James Price, editor Jon Harris, visual effects supervisor Angus Bickerton, costume designer Keith Madden, and casting director Lucy Bevan.
In addition, here’s a quick look at the movie’s teaser poster:
Entertainment
DC’s Clayface teaser shows off a horror-filled superhero movie
Our first taste of James Gunn’s Gotham City will be frightening.
Last year, James Gunn’s Superman sparked an impressive wave of excitement for the new DC Universe. Though this year’s spotlight is on Supergirl, Clayface is also getting an eponymous film, giving us our first taste of Gotham City in this bustling universe.
There’s been a lot of mystery surrounding this film. For one, Gotham City’s DCU debut is based on, arguably, a secondary villain, rather than any member of the Bat-Family. Secondly, Gunn has confirmed that the movie will heavily lean towards the horror genre, a feat others have tried but often failed.
Today, DC Studios has released the first teaser trailer for Clayface. And no, Gunn wasn’t kidding when he said this is going to be a horror film.
Tom Rhys Harries plays Matt Hagen, a rising movie star suddenly scarred by a violent attack. Desperate to resurrect his career, he resorts to a scientific experiment that turns his skin into moldable clay.
As the teaser hints, the film will not shy away from body horror, including shots of Hagen’s disfigured face either from the attack or from the clay. It’s a big departure from the more traditional style of Superman or Supergirl. But it’s a gamble that might pay off for a universe as young as the DCU.
It’s also apropos that the DCU’s first horror film is getting a horror-themed premiere. Clayface will premiere in cinemas on October 23, 2026.
SEE ALSO: Superman sequel, titled Man of Tomorrow, comes out in 2027
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