One of the biggest issues Android users face is slow software updates. Whenever a new flavor launches — and this happens once per year — consumers wonder when they’re getting it, if at all.
This has been an especially prevalent problem for smartphones powered by MediaTek chipsets. More often than not, the MediaTek version of certain handsets is even behind Qualcomm’s when it comes to major Android updates.
When I asked MediaTek CEO Rick Tsai about this, he admitted it’s tough to solve, but there’s definitely something in the works from the bright minds of their company.
“We’re putting a lot of software resources into Android,” said Tsai. “We want our relationship with Android to be a weapon, to compete against competitors.”
Elaborating further, Tsai claims “the fundamentals are the same across all platforms” and that software and hardware should go hand in hand, no matter how focused MediaTek is on the latter.
As for a more concrete solution, MediaTek says that they’re restructuring their software workforce to be more efficient. Considering how often Android rolls out updates — again, one per year with monthly security patches along the way — it’s simply a matter of the resources catching up to the abundance of software.
To be fair to MediaTek, no one, whether it’s smartphone or chipset makers, has been great at dishing out Android 9 Pie. It has barely made a dent in recent market share charts.
MediaTek understands that “it’s the users who must enjoy Android” and they simply want to please their customers. “We’re working more closely with Google,” Tsai said.
At the same time, the company is hellbent on bringing 5G connectivity to the masses by 2020. So, while hardware continues to advance at a breakneck pace, software will simply have to catch up.
Make moments tangible with Instax Square Link
Time to print those core memories!
Life looks pretty in squares — that’s how Instagram shaped our favorite moments in the past decade.
With every core memory uploaded in our social media feed for the world to see, there’s still something poignant about keeping a hard copy of your favorite moments. It feels nostalgic to be reminded of the good things in your life.
That’s what the Instax Square Link delivers. The newest instant printer comes in square, as compared to its previous siblings in the instax link lineup.
The sweet spot
The previous instant printers come in the usual mini film prints, and a wide, rectangular one. Having a square format provides a sweet spot for instant prints since it’s neither too big nor small.
Even the design of the device itself looks almost square, albeit taller. It sports the usual big button in its center that powers up the device, while there’s a smaller circle on its top-left part for linking the device to your smartphone.
It’s still as straightforward as it gets, whether you’re already familiar with previous instax printers or not. You simply click the big button until it lights up, link it to your smartphone and confirm the serial number found on the bottom side of the device, and do all the magic inside the app — which you can download via App Store or Play Store.
New device, new features
The instax Square Link carries all the good things from the previous instax printers through its dedicated app.
You can still make personalized stickers, continuously print your best moments with just a press of a button, and collage and edit your photos in frames. They’re pretty much the same features you can find on the instax Link WIDE and instax mini Link 2.
However, instax introduced new features that make printing more exciting. Now, instax takes AR to a new level by allowing users to print with personalized AR effects, accessible using a QR code.
It also included a feature where you can chat with a friend or loved one and have the conversation printed as text bubbles to add a more personal touch for those who are in long-distance relationships.
Printing your favorite moments
While the new features are a much-welcome addition, I still stick to what Instax is good about. At its core, it’s still printing your favorite moments and of course, sharing them with the people you love.
Back then, I would print my photos and keep them to myself — inside photobooks and boxes that would never see the light of day unless I’m feeling nostalgic.
Being surrounded by new people encouraged me to be more giving, rather than just being selfish with my memories. And instead of constantly seeking validation and sharing my favorite moments with the world, I now love the idea of being intimate and sharing my core memories with only a handful of people.
Is this your GadgetMatch?
The Instax Square Link is still an instant printer like its siblings. If square formats are your thing, this is easily your GadgetMatch. For wide, rectangular prints, there’s the instax Link WIDE.
And if the original, mini-sized film prints are what you’re after, you can never go wrong with the instax mini Link 2. Whatever formats you want, there’s an instax for you.
The instax Square Link comes in Ash White and Midnight Green. It’s available in all authorized Fujifilm instax dealers nationwide and Fujifilm’s online flagship stores.
IN PHOTOS: Dubbing with Netflix, HIT Productions
Plus a quick glimpse of the Netflix PH office
Have you ever been curious about how the whole dubbing process works? Netflix, along with HIT Productions, was kind enough to give us a quick tour showing how our favorite Netflix shows are dubbed in Filipino.
HIT Productions prides itself as “The Philippines’ top audio post production house and recording studio for advertising.” And they have the clientele to back up the claim. Other than Netflix, they’ve also worked with plenty of notable brands. These include but are not limited to Jollibee, Mitsubishi, Coca Cola, and many more.
They’ve partnered with Netflix on many shows and movies. For this particular tour, they showed us how they dubbed Season 4 of Stranger Things.
Different rooms for the talents and director
Heading in, I was fully expecting a Sound Booth like setup – you know, the ones we normally see in TV shows and movies. HIT has a different setup. They have the director in one room and the voice talents in another. The rooms are situated right across each other with sound engineers manning both rooms.
The communication between the director and talents still happens real time, and they see each other through an iPad.
Each room has a monitor that displays the scene that’s being dubbed. The talents’ audio goes straight into a computer that’s in the same room as the director.
Multiple talents will be in the same room at one time. This depends entirely on the scene that needs to be dubbed. They take turns dubbing with sound engineers adjusting the height of the mic each time to make sure it’s optimized for each talent.
Although, they did mention this isn’t always the case. Sometimes, there will be scheduling challenges, but they’re able to work through it.
The actual dubbing back and forth is fascinating. They go through each line meticulously, making sure the cadence, the breaths, the tone, and the emotion matches that of the original actors.
Recording a single episode will take days. And that’s just the recording. The next part is just as tedious.
The level of precision applied in the voice acting and directing extends to the cutting floor when the recordings go through post production.
Here, sound engineers go through each scene, switching between the original scene and the dubbed recordings to make sure they match. This includes how loud or soft the voice is as well as adding effects to mimic the room environment sound of each sound.
What makes the whole process tricky is a lot of it is guess work. I asked if they are given a cheat sheet of the effects used by the original production. They said that rarely happens. That means they rely both on their sharp ears and years of experience to make sure everything matches.
After post production, an entire episode goes through a quality check. If anything sounds off, it’s back to post processing again.
HIT says in a month, they’re able to finish roughly around three to four episodes. Of course, that depends also on the length of the episode. Stranger Things Season 4, for instance, typically lasts over an hour. With some episodes even running as long as feature length films.
Trying out dubbing
After a look at the voice acting and post production process, HIT took us to a room where some members of the media got to try dubbing. Here, Head of Localization Rudolf Baldonado, led the way.
Baldonado explained that the most important part of the whole process is the script. Localization, as you may have surmised, is no easy task. There are so many things to consider: What words to use to match the movement of the lips, the general direction for each line, and making sure all the lines make sense when delivered together.
A couple of voice talents showed us the ropes first, recording a scene from the Don’t Look Up film. Baldonado, who also helmed localization for Trese, noted that mimicking the original actor’s voice is less important than delivering the right tone and emotion for the line and the scene.
During the recording, he also noted that dubbing is more about voice acting than actual voice quality. How well you convey the right emotion is more important than whether or not you sound pleasant or not.
Sit down with the voice talents
To wrap up the tour of the HIT Productions office, we sat down with the voice talents and the rest of the team that worked on the Stranger Things Season 4 dub. Here’s everyone who joined us:
- Christian Velarde (MIKE)
- Albert Silos (WILL)
- Steve Bontogon (DUSTIN)
- JM Canlas (LUCAS)
- Steffi Bontogon (MAX)
- JM Torres (VECNA)
- Nelieza Magauay (ROBIN)
- Ericka Peralejo (SUZIE)
- Cheska Aguiluze (Dubbing Director)
- Rudolf Baldonado (Head of Localization)
Many of them shared their experiences and lessons learned while working as voice actors.
A lot of the echo the same thing that Baldonado mentioned earlier. That the ability to understand the character’s emotion and act it out through your voice is the most important skill in the craft.
What stood out to me the most though, is how each of them seemed like colorful characters on their own. And they deserve just as much recognition as TV and movie actors.
Quick Netflix PH HQ Tour
After the session at HIT Productions, we were taken to the headquarters of Netflix Philippines. Some interesting things to note:
- The meeting rooms are named after Netflix’s shows and films
- There are areas designated for quiet time
- The place is spacious with many areas for quick, breakout meeting sessions
- It’s filled with books and other ornaments that have to do with Netflix shows
- Free-flowing drinks!
- This writer would like to spend a work day or two in the area (Thanks in advance, Netflix!)
Here’s a photo dump:
Huawei Mate 50 Pro vs HONOR Magic4 Pro: Camera Shootout
Camera battle between two companies that used to be together
In case you didn’t know, HONOR used to be Huawei’s sub-brand — until they decided to part ways. While still using Huawei’s EMUI software (but calling it Magic UI), HONOR is now operating as a separate entity.
Well, aside from the obvious Magic vs Mate branding, Huawei has its own “Ultra Aperture” camera. Coined from the term itself, it features a dual-variable aperture versus the Magic4 Pro’s fixed f/1.8 lens opening.
|Huawei Mate 50 Pro||HONOR Magic4 Pro|
PDAF + Laser AF + OIS
Multi-Directional PDAF + Laser AF
|Ultra-Wide||13MP f/2.2 120º||50MP f/2.2 122º|
3.5x optical zoom
100x digital zoom
3.5x optical zoom
100x digital zoom
|Selfie||13MP f/2.4 + ToF 3D Depth||12MP f/2.4 + ToF 3D Depth|
It also looks like the megapixel count is smaller on the ultra-wide unit of the Huawei Mate 50 Pro. Aside from that, the periscope telephoto lens and selfie cameras of the two phones are very much alike.
Now that you get a clear picture between the similarities and differences of each phone’s camera system, let’s get on to our camera shootout!
As previously mentioned, the Mate 50 Pro features a dual-variable aperture while the Magic4 Pro is consistent with its aperture offering. But can you really tell which is which considering they both feature a 50MP sensor?
For shots that require a wider Field of View (FoV), which do you think wins this round considering that the Magic4 Pro features a 50MP ultra-wide shooter while the Mate 50 Pro has a measly 12MP UWA shooter? (Despite the same f/2.2 aperture)
Periscope Telephoto: Optical Zoom
Both the Mate and the Magic have a similar 64MP f/3.5 lens that has an optical zoom range of 3.5x. But of course, there would still be a difference in post-processing AI algorithm.
Periscope Telephoto: Lossless to Digital Zoom
With a similar periscope lens, both phones can both achieve a 10x lossless zoom and up to 100x digital zoom. But in this specific section, I chose to just zoom up digitally to just 60x.
This is what makes or breaks a smartphone camera. With the obvious differences in Night Mode processing magic, one phone definitely stands out. That’s either a matter of personal preference or just fans’ favorites.
#26 (3.5x zoom)
BONUS: Super Macro
Just like other flagship smartphones nowadays, Super Macro is a feature that uses the ultra-wide lenses instead of the regular wide one in order to take close-up macro shots of objects. Doing so requires you to go closer to the subject you are shooting.
You may already have a hint considering the results are consistent throughout the board:
Photo A — HONOR Magic4 Pro
Photo B — Huawei Mate 50 Pro
What should set both phones apart are the way they process each shot — but Huawei and HONOR’s similar AI camera processing techniques are what actually makes it hard to differentiate one phone from another.
For the most part, you can barely tell which is which. Shots taken during the broad daylight looked barely different regardless if its the regular wide, ultra-wide, or even the periscope telephoto lens.
But in some instances, the HONOR Magic4 Pro boosts saturation while the Huawei Mate 50 Pro samples focuses on brightening up the shots. However, its dual-variable aperture camera did not really make drastic differences in daylight shots for it to be considered a “groundbreaking” camera feature in today’s flagship smartphones.
Now when it comes to Night Mode “Magic”, the Huawei Mate 50 Pro is the clearer winner — especially with its very wide f/1.4 aperture. As I told in my past camera shootouts, the “better” Night Mode shot isn’t just about being the brightest nor the most vibrant of the bunch.
In the case of the Mate, it displayed the right amount of shadows, highlights, contrast and even the dynamic range. Most of all, its saturation what you can actually see irl.
Honestly speaking, I thought the HONOR Magic4 Pro is one among the best flagship smartphones for night photography. But after seeing how there’s a clear distinction between it and the Huawei Mate 50 Pro, I have reconsidered my opinion.
The less-saturated look of the night shots taken with the HONOR Magic4 Pro is preferential though. Some may still like it because it gives you that flat, RAW-like image. Thus, giving you more creative freedom in post-processing the shot afterwards.
Honestly, you can never go wrong between choosing these smartphones. But the dealbreaker is: can you compromise 5G and proper GMS support over a set of cameras that perform better at night?
Make moments tangible with Instax Square Link
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