Features
Galaxy Note 20 Ultra: GadgetMatch for the Multimedia Creative
There’s more than just the S-Pen
The Samsung Galaxy Note 20 Ultra represents the current pinnacle of the Galaxy Note line. That’s why it’s not far fetched to think that it can seamlessly add value to people from different walks of life.
In this first of a three-part feature, we’ll explore how the Galaxy Note 20 Ultra can be reliable partner for three specific people:
- The Manager
- The Casual User
- The Multimedia Creative
The One That Got Away
Let me start this piece by reminiscing the old times first. If you’ve read some of the articles I’ve written not so long ago (see here and here), I stated how I’ve been switching to Android smartphones every now and then because of some features that I simply don’t get in an iPhone.
Owning the Samsung Galaxy Note 5 four years ago was both a blessing and a curse. It was the perfect phone for someone like me who was still an undergraduate of Multimedia Arts.
The S-Pen did its magic and I loved how its single camera performed. But to simply end this melancholy, it didn’t last that long — like a fleeting relationship of sorts.
Old Habits Die Hard
By old habits, I mean the good ones. Of course, I was one among tens and thousands of Note users before — and I’m still fond of using the S-Pen even after those years.
The moment I heard that I’ll be doing a review of the Galaxy Note 20 Ultra, I was trying not to be ecstatic. Suppressing emotions isn’t healthy but being able to do so is a testament that most artists love keeping what they feel inside rather than being blatant about it 😂.
As an old Galaxy Note user, I was able to restore some of those files four years ago. I’m lucky that Samsung Cloud already existed before. Though not every file was backed up, I’m still glad it restored some of my drawings and notes in the Samsung Notes app (formerly S-Note). Even hideous notes made by my college batchmates were still there. Oh such nostalgia.
A True Work of Art
To be very perfectly honest, I’m amazed by how the Galaxy Note 20 Ultra improved over its predecessor last year. While everyone was complaining about the large camera bump, I was instantly hypnotized — especially with the fact that there are large sensors beneath that glass casing.
Again, for someone who has big hands, it honestly feels just right. It’s a true gem especially if you rock the Mystic Bronze colorway. It looks elegant and classy wherever you place it — even beside a messy paint palette.
When I had that free time, I brought out my canvas and painted just to release my inner artistic demons. It wasn’t in this shot but some of that white acrylic paint splattered onto its back. Luckily, it was easy to clean and didn’t leave any mark especially because of its matte glass back coating.
Getting Out of the Comfort Zone
The new Samsung One UI isn’t really new to me. In fact, I’ve used the Galaxy S20+ just months ago. Although Apple’s iOS simply does most of my work faster and snappier because of the simpler User Interface (UI), I easily got used to Samsung’s user experience again. In fact, I replaced the built-in launcher with a custom one called Lawnchair 2 just to show my inner artistic side through the phone I use — which I wasn’t able to do last time.
If you’re like me who uses Facial Recognition (like Apple’s Face ID) a lot, this smartphone feels insecure because of the lackluster Face Unlock feature. But in times like this when we’re always required to wear a mask, the in-display fingerprint scanner, is once again, handy. Though not the fastest, it still gets the job done and something you’ll get used to eventually.
Work Hard
Something to consider when using this phone (especially for work) is its form factor. Most of you don’t want a large (some say monstrous and gigantic) smartphone like the Galaxy Note 20 Ultra, but for me, it felt so good especially because it’s slim and light enough even for an almost 7-inch smartphone. I even managed to type one-handed while replying to our group chat in Telegram.
During my time with the phone, I was able to use Samsung Notes more than ever. I don’t want to get too specific but the new latency rate of 9ms (milliseconds) feels like you’re really writing on a paper. Jotting down notes was smooth enough for my liking.
With the gesture navigations, switching between apps is easy too! I love how I can switch between one app to another without a background app refresh. You can even resize the Notes window if ever you need to scroll through another app while writing on the other. I love this feature!
The ability to have 5G connectivity in the Metro was a total breeze. I was able to upload a 2GB file in just minutes. Even downloading a 1GB file took less than two to three seconds! This is totally helpful for me as a video editor who sometimes steps outside for errands while waiting for work updates on Slack.
Play Harder
Back then, stylus in phones were only meant for business-centric users. It may still be the thing today but Samsung’s revolutionary S-Pen and Note line serve more than work-minded individuals. As artists, our creativity doesn’t stop just in the work we do. In fact, we get even more creative in our spare time with passion projects or whatever tickles our fancy.
I’m not a die-hard mobile gamer but I need to say this part. Though this isn’t the Snapdragon 865-version, Samsung’s Exynos 990 was able to deliver that needed power when I played Asphalt 9 and Call of Duty Mobile (CoDM). During my gameplay, I never experienced casual lags and stutters. Albeit, the phone ran a little hot especially if there’s not enough air supply and ventilation around you.
Some of you may know that I’m a die-hard Orbit. Although I haven’t published it yet, I edited my unboxing video of LOONA’s crown lightstick using Adobe’s Premiere Rush. Again, editing using the Galaxy Note 20 Ultra was smooth AF even if the video is in 4K (UHD) resolution.

Spoiler alert: Focus was crazy fast even in Manual Video Mode thanks to the inclusion of the Laser AF (Autofocus)
I captured the whole setup using this phone and I’m amazed with how the cameras performed in video. (Photo samples come at the latter part of this article)
The photo above is, again, a proof of how great its cameras are. It managed to capture the real colors of the painting I did. Letting the paint splatter onto the canvas is a great way to release those bad energy that’s been stuck in your head for a while.
There’s no problem running creative apps in this smartphone especially because we know how power-packed it is. If you’ve been looking where I layout my shots for IG stories, here’s the listicle to help you out.
Even when you use post-processing apps like Adobe Lightroom Mobile, VSCO, and Snapseed, you’ll simply get stunning results. The S-Pen stylus would help you adjust curves with ease while its vibrant display is helpful enough because of its color accuracy.
The Fear of Missing Out
Just like any other artist, we get exhausted so we rest to recharge our creative juice. Of course, I wouldn’t miss the chance of doing the things I love with this smartphone.
With my pair of Samsung’s Galaxy Buds+, I was able to enjoy LOONA’s new Extended Play (EP) titled ‘12:00‘. The song I played above makes me forget my problems somehow. Try listening to this magical album if you have time.
Of course, it wouldn’t be a great experience without having to try its glorious 6.9-inch Dynamic AMOLED display. Though in this particular scenario, I was able to watch my favorite K-Drama ‘Start-Up’ (스타트업) while jotting down the characters and some jargons the characters use in the series. And yes, I know how to write in Korean (한글). Just don’t judge my writing style.
After binging five episodes of the series for over three hours, I was able to get my much needed recharge that I decided to sketch a young girl on a swing using Samsung’s built-in PEN UP app — just like how the company’s logo looked like in the drama. Though this isn’t a 1:1 ratio, being able to sketch as easy as sliding the S-Pen out is really a nice feature to have in a smartphone that you can’t simply do elsewhere.
Of course, there are more sketching apps in the Play Store you can try such as ibis Paint X, SketchBook, Infinite Painter, among others.
You Win Some, You Lose Some
People who know me are aware that I’m very nit-picky when it comes to cameras — let alone smartphone cameras. In this section, I’ll discuss what makes and breaks the cameras of the Galaxy Note 20 Ultra.
With no surprise, photos taken with the 108-megapixel Main Sensor (Wide-Angle) deliver stunning results. The colors pop and there’s enough bokeh when doing close-ups. With the added inclusion of the Laser AF (that was absent in the Galaxy S20 Ultra), it helps the main sensor shoot moving objects without blurring out the main subject.
Even the Laser AF works well with optically-zoomed shots.
ICYMI: The Galaxy Note 20 Ultra’s optical zoom maxes out at 5x (and up to 50x Hybrid Zoom — more on that later).
- Ultra-Wide
- Wide
- Telephoto
Speaking of zoom, this smartphone has three sensors (including the 12-megapixel Ultra-Wide and Telephoto lenses) that handle the job very well especially with the presence of natural light.
Just like how I stated earlier, the cameras are superb! This is actually how the painting looks like in real life. The colors look vibrant just like the variations of acrylic paint I threw onto the canvas.
For the most part, it’s also able to capture HDR-rich photos whether you use the ultra-wide or wide lens. In this particular example, both lenses were able to capture the subtle rays of a rainbow with a close consistency in WB (White Balance).
But this isn’t a perfect camera after all
One minor thing I noticed (that I don’t like) is when I shoot food. There’s a weird radial blur-situation going on in these two photos. The first one is a 짜파게티 (jjapagetti) while the other is a spaghetti and chicken combo. Just look at the outer field of focus and you’d see that circular motion blur coming out.
Another problem I encountered is the inconsistency in AF (autofocus) and AWB (Auto White Balance). These photos were taken seconds apart — same focal length, same lighting condition, same position. You can see how details in the bag, shirt, and even the wall got blurred out in the second photo. The first photo is closer to reality with its warmer tone while the second photo got bluish in tint.
Not that it’s a big deal but this is a reminder for future buyers that the telephoto sensor takes blurry photos — though there’s a camera reminder whenever it detects if a photo was blurred. Again, not a big fuss for something that will be posted on social media. It’s just something worth pointing out that can be fixed via software updates or maybe in the next Galaxy Note (and even the upcoming S) series.
Finally, here are shots of the moon and two birds on an electric wire. They honestly look commendable but what breaks this category for me is the fact that Samsung’s camera software processing in ultimately-zoomed shots look so smeared that details are barely visible.
I get that they’re still trying to develop this technology and I know this is a good thing for smartphones. Still, it’s something worth to consider especially with how they hyped up “Space Zoom” during the launch of the Galaxy S20 Ultra.
For artists who also want great selfies, here’s how that single punch-hole camera performed.
The beauty filter is turned off in both of these shots but I guess there’s still some smearing going on after you hit the shutter button.
Is the Galaxy Note 20 Ultra fit for a Multimedia Creative?
If you’ve reached this part, you would already know if its meant for you. Of all the apps I’ve used for sketching, editing, and even processing my photos, this is obviously the ultimate smartphone for a Multimedia Creative.
If you like scribbling and sketching, the S-Pen does the job in which other phones can’t. Other than that, if you’re someone like me who uses the rear cameras often, it’s also a great companion for taking great snaps without ever worrying about the quality.
Considering this as your new smartphone this 2020 wouldn’t be a problem if you have the purchasing power. But if you’re hesitating because of its hefty price tag, the Galaxy Note 20 would be a better substitute minus the elegance and other nifty features. If you’re an Illustrator or a Graphic Artist who’s looking for a bigger device plus the glory of the S-Pen, I’d recommend the Galaxy Tab S7+ instead.
Overall, its blazing-fast performance paired with a lot of creative and productivity apps, the Galaxy Note 20 Ultra is simply one of the best (if not the best) smartphones out there that creatives would love and enjoy using in the next few years — especially that Samsung has promised software updates of up to three years with this smartphone.
SEE ALSO: Galaxy Note 20 Ultra: GadgetMatch For The Manager | Galaxy Note 20 Ultra: GadgetMatch for The Casual User
Camera Shootouts
Camera Shootout: HONOR 600 Pro vs OPPO Reno15 Pro
Camera clash of the two Mainlander midranger
Year after year, major phone brands are defying the manufacturing and costing challenges just to give the mid-class the smartphone cameras they deserve.
This 2026 and beyond, it seems like it’s the new norm for the freshest breed of premium midrangers.
Mainlander Midranger
The HONOR 600 Pro and OPPO Reno15 Pro are two smartphones positioned in the peak of the midranger pyramid.
On paper, they are highly likely the closest in terms of camera hardware.
HONOR 600 Pro |
OPPO Reno15 Pro |
|
Wide |
200MP f/1.9
|
200MP f/1.8
|
Ultra-Wide |
12MP f/2.2
|
50MP f/2.0
|
Telephoto |
50MP f/2.8
|
50MP f/2.8
|
Selfie |
50MP f/2.0 |
50MP f/2.0 |
First and foremost, while these phones rock a similar 200MP cameras by Samsung, the sensor sizes and age are quite different.
The HONOR 600 Pro has a bigger yet older (2022) 1/1.14-inch ISOCELL HP3. Meanwhile, a newer (2025) yet standard-sized ISOCELL HP5 was used in the Reno15 Pro.
The biggest disparity can be seen in their ultra-wide modules. HONOR didn’t focus too much on it by giving a smaller 12MP f/2.2 with a tighter 112-degree FoV (Field of View).
On the other hand, the OPPO equipped a bigger 50MP module with a brighter f/2.0 aperture, and an even wider 116-degree FoV.
Lastly, both the telephoto and selfie shooters are at 50MP. Both telephoto cameras are capable of optically zooming in to 3.5x.
Fair and Square
Both of these midrangers have their own set of special sauces. But, for the sake of fairness, I’ve stuck with each of their default camera color profiles: Natural for the HONOR 600 Pro while Original in the OPPO Reno15 Pro.
Disclaimer: If you are new here, sample photos were all taken using the default AI Camera Mode. These images were resized and labeled for faster loading and better online preview. No color correction, zoomed-in cropping, nor any other type of photo manipulation were applied.
3.5x Telephoto
Starting with the common denominator of both phones: their 3.5x 50MP f/2.8 telephoto shooters
T1
T2
T3
T4
T5
T6
T7
T8
T9
T10
T11
T12
Beyond Telephoto Zoom
We have to break the barriers just to test each phones’ telephoto unit limit.
ZB1
ZB2
ZB3
ZB4
ZB5
ZB6
1x Wide (Main)
Again, both phones rock a 200MP camera but of different aperture and sensor sizes. Can you differentiate them from another though?
W1
W2
W3
W4
W5
W6
W7
W8
W9
W10
Ultra-Wide Angle (UWA)
Each FoV value can be your primary hint to determine which is which. But, is it enough for you to tell who’s the better performer?
U1
U2
U3
U4
U5
Food
A separate section for prospective users who will use one of these for food shots.
F1
F2
F3
F4
F5
Furry Friends
Whether it’s our pets or wild animals, they all have one thing in common: they are all very hard to capture especially when in motion.
FF1
FF2
FF3
FF4
FF5
FF6
FF7
FF8
Indoors
Subjects taken in any controlled lighting is another tricky test for both of these smartphones.
IN1
IN2
IN3
IN4
IN5
IN6
IN7
IN8
IN9
IN10
IN11
IN12
The Night is Right
The ultimate camera test all boils down to shots taken at night (or low-light).
Actual camera processing is one. Added AI algorithms and the actual output for another.
N1A | 1x Wide
N1B | 3.5x Optical Zoom
N2 | Ultra-Wide
N3A | 3.5x Optical Zoom
N3B | 5x Lossless Zoom
N4 | 5x Zoom
N5 | 2x In-Sensor Zoom
N6 | 3.5x Optical Zoom
N7 | 1x Wide
N8A | UWA
N8B | 1x Wide
N9 | 3.5x Optical Zoom
N10 | 5x Lossless Zoom
BONUS: Super Moon
That same telephoto module gives both the HONOR and OPPO midrangers a zoom reach as far as 120x.
M1 | 40x Digital Zoom
M2 | 120x Max Zoom
Results
Were you able to write down and tally your picks? Well, here are the results:
Conclusion
For the most part, samples taken on the HONOR 600 Pro are already social media-ready. They require little to no effort prior sharing it as your Facebook post or Instagram story.
And by that, the saturation and contrast game is strong as opposed to its rival — a look preferred by most users. These are clearly seen in Sets T1 / T5 / ZB5 / W1 / W2 / N1A.
Meanwhile, the OPPO Reno15 Pro leans more into the “natural” side.
Despite the absence of that premium Hasselblad partnership, it still gave desirable results for those who want the less “AI-processed” look (softer, reduced saturation, minimized contrast) which are evident in Photos T2 / T4 / T8 / T12 / ZB1 / ZB3 / W7 / W8 / FF7 / FF8.
Definitely, the results are not totally consistent. The OPPO Reno15 Pro mostly had a brighter and warmer output (T1 / T5 ~T7 / ZB6 / W1 / W4 / W5 / W8 / W10 / U1 / U2 / F1 / F2 / F4 / FF1 / FF2 / IN3 / IN8 / IN12 / N3A / N5).
Other times, the latter is brighter yet cooler (T12 / ZB1 / ZB2 / ZB3 / ZB4 / FF3 / FF8 / IN1 / IN2 / IN7 / IN9 / IN10 / IN11). Even the super moon shots on the HONOR 600 Pro were brighter, too.
These differences and inconsistencies might make or break your final decision which smartphone best suits your overall camera taste.
Pro-grade for less
Despite the continuous innovation and evolution of flagship smartphones when it comes to mobile imaging, phone manufacturers still try to balance everything out with midrange smartphones in the horizon.
The HONOR 600 Pro and OPPO Reno15 Pro are two among the handful midranger wonders meant for any pro-grade user who lacks the purchasing power to buy the bestest in the lineup — but, still want a very capable device for their smartphone-tography needs.
Clearly, the camera hardware isn’t the most “powerful” out there. Still, they are clear with the positioning of these phones. They are your pro-grade cameras for less.
As similar as their camera hardware, the HONOR 600 Pro and OPPO Reno15 Pro also have similar SRPs — at least the 12+512GB configuration.
- HONOR 600 Pro = PhP 48,999 / MYR 3299 / SG$ 1049
- OPPO Reno15 Pro = PhP 48,999 / MYR 3299 / SG$ 1049 (as Reno15 Pro Max)
HONOR your Reno?
Over the years of making dedicated camera shootout write-ups, I always thought that photos that look closer to our naked eyes is something that I should call “the better smartphone camera” — especially because of the accuracy of their output.
Now, with the advent of smartphone cameras with countless camera partnerships and all the imaginable profiles / presets / styles / recipes (or whatever you want to call ’em) to ever exist, it got harder to decide which smartphone to recommend for most users.
Such sentiment made me realize that there is no single clear winner at all.
So what’s the point of making another extensive camera comparison like this? Well, it’s still for you to show how each phone is capable (or incapable) both in camera hardware and software. It’s also for you to choose the camera look that’s closer to your liking.
Clearly, both the HONOR 600 Pro and OPPO Reno15 Pro are very capable smartphone cameras. But, at the end of the day, it’s your power as a buyer which pro-grade midranger wins your heart.
Now, if you will consider other aspects such as their core hardware, OS skin, and even after-sales service, that’s clearly for another story.
The first leg of Spartan Race’s Philippine National Series doesn’t wait for anyone.
We joined an OCR team, BGY BYG aka Bring Your Game, at Bridgetowne Obstacle Park as they put themselves through an obstacle course race simulation. I brought the Canon EOS R6 Mark III to document every athlete giving their best.
Shooting under direct midday sun is its own challenge. The 32.5MP sensor handled the harshness of open daylight without blowing out detail. The 40fps electronic shutter and Pre-continuous shooting meant we were already in the frame before the moment fully happened.
Athletes were moving fast and in every direction, but the 8.5-stop IBIS kept every shot steady as we moved alongside them.
The Dual Pixel CMOS AF II stayed locked mid-sprint, mid-climb, and everywhere in between.
This is what race prep looks like up close.

Abegail Manzano, UAAP Season 85 Rookie of the Year in women’s athletics at UP Diliman, leading the warm-up session.
SEE ALSO: What HYROX Hong Kong looks like up close
Words and photos by MJ Jucutan.
Computex 2026
Why is AI loved in COMPUTEX but hated in the rest of the world?
Two sides of the same coin.
To cover COMPUTEX 2026, I found myself staying in the Grand Hilai Taipei, a 5-star hotel right beside the Taipei Nangang Exhibition Center (TaiNEX), the historical home of the annual conference. I can’t help but think of The Grand Budapest Hotel, a Wes Anderson flick about a similarly decadent hotel. But it’s not the plush hotel rooms, the hospitable staff, or the Romanesque public sauna that has me thinking of the iconic 2014 film. Rather, it’s the man of the hour himself, NVIDIA’s Jensen Huang, the king of today’s AI.
In The Grand Budapest Hotel, Ralph Fiennes plays Monsieur Gustave, the eponymous hotel’s flamboyant concierge. Always the life of the party, Gustave blends seamlessly into the hotel’s luxurious pink decor as he cavorts willy-nilly with the elder clientele. While the film flings Gustave around a thrilling chase for a deceased friend’s inheritance, the film’s subtext is one of politics, mistrust, and war. Around the hotel, the world haplessly descends into the geopolitical turmoil that brought about the Second World War. And yet, Gustave remains indifferent, content as he is to be atop his lofty pulpit while luxuriating in L’Air de Panache.
Jensen Huang, clad in his trademark leather jacket, is our story’s Monsieur Gustave. Much like Gustave, Huang revels in the fanfare around him. In COMPUTEX, he’s a hero adored by the masses. Wherever he goes, fans bend over backwards to take a selfie. His merchandise (and yes, it exists), touting AI-generated versions of him, is constantly sold out. It’s a stark contrast to the world and all its doom-and-gloom for a future bloated with AI.
The silence behind the applause
Before the official start of COMPUTEX, Huang conducted his own keynote speech for NVIDIA. If you’ve been to one of his keynotes in the past, you’ll hardly recognize what it’s become. There’s no more talks of realistic graphics or faster gaming performance. It’s all about AI.
Most of his time was dedicated to Vera Rubin, a multi-rack AI supercomputer destined to power the future’s data centers. Amid the drone of technical jargon (almost bordering on technobabble), I was quietly asking myself what I was doing here. Meanwhile, beside me, an enthusiastic woman clapped with as much fervor as if Huang was the second coming of Christ himself. Even if Huang could hear her individual applause (and he most certainly didn’t), he couldn’t have seen her Googling frantically what a multi-rack AI supercomputer was.
After what felt like forever on the Vera Rubin, Huang finally talked about a consumer-ready product: the new RTX Spark laptops. Admittedly, my interest was piqued. After all, it’s supposed to be the next evolution of PCs. Cue: more applause.
Although, the subtext here is as loud as the clamor. Though it’s certainly impressive that a single RTX Spark notebook can deliver 1 petaflop of AI performance and 192GB of unified memory, this next big thing is not for you and me. No one wanted to talk about the price of these things; not a single OEM, not even Huang himself.
All the hype is on productivity and profitability. It will make more work and more money… but not for you. If anything, you’ll probably end up worse.
The price of progress
Building a PC these days can bankrupt you just as easily as visiting an American hospital. A decent stick of RAM is no longer as accessible as it was a few years ago. And it’s all thanks to AI.
Touting them as humanity’s next evolution, the world’s biggest tech companies want you, a regular consumer, to believe that the technology is coming to your home. But first, they need acres of real estate for data centers. Several states in America have already relegated land to put up these centers, much to the chagrin of their residents. Despite assurances that newer ones can more effectively balance the load on the grid, these same data centers need a lot of space, power, and water. All three of which are coming from the communities surrounding them. At the time of this writing, some state governments are pushing back against the incoming infrastructure, perhaps realizing the mistake of unimpeded data center developments. The outside world is slowly turning on AI, but it’s not a global crackdown.
And that’s before the effect of these data centers on regular consumer technology. Besides all that land, they need a horde of silicon. That’s why NVIDIA has stopped positioning itself as a GPU company, and that’s why all the chips just disappeared. All those data centers are buying up the world’s stock of chips. It’s all a matter of supply and demand at that point; scarcity drives prices up, and we’re left to pick up the pieces. The GPU that was supposed to go to your new PC is now inside a data center somewhere in the States.
Even if you don’t live near a data center, you’re still not safe. Companies, especially in the Western world, believe that AI can replace human workers, leading to mass layoffs. To be clear, while AI can help with productivity when used as a tool, a full replacement isn’t the most feasible option yet. In fact, according to Fortune, AI is just a convenient scapegoat when companies simply want to cut labor expenses by any means necessary.
And yet, the party goes on. Huang is adamant that you are on the ground floor of a revolution that will change the world. But, sorry, bucko; that elevator is going up without you.
The mask falls
As tempting as it is to pick on a single target, the NVIDIA CEO wasn’t the only Monsieur Gustave gallivanting around COMPUTEX. Qualcomm’s Cristiano Amon had his own keynote speech to herald the annual conference. But, opposed to decadence of Huang’s optimism, Amon lets his mask fall just a tiny bit.
To his credit, Amon didn’t extol Qualcomm’s developments exclusively. Rather, he spoke of the overall effects of AI on our world. It’s, of course, the usual optimistic accoutrements of harder, better, faster, stronger for society. Eventually, his excitement gets the best of him and lets slip some shadier effects.
“6G will turn us all into walking cameras,” he said, talking about how AI will affect connectivity.
Now, to be fair, radio frequency sensing isn’t new technology. It’s already been possible to detect objects using only radio signals. 6G, bolstered by AI, will expand this to cover a much wider area for more possible uses.
Amon himself admits that it was a controversial statement. But perhaps, he doesn’t know (or care) about any potential invasions of privacy. He remains ever-so-confident that the use of 6G for surveillance will ultimately help with public safety and infrastructure.
All I can think of is The Dark Knight‘s Lucius Fox doing the moral thing and shutting off Batman’s mass surveillance system after finding the Joker.
It’s a tiny slip, but it speak volumes. Your privacy is a sacrifice that they’re willing to take.
As if that’s not enough, Amon signs off on his diatribe with a succinct “resistance is futile,” talking to those who still oppose AI.
An odd way to start off a celebration of AI, isn’t it? Traditionally, that phrase is one oft used by villainous characters, but that’s just par for the course in today’s AI-infested world. Peter Thiel, one of the moguls of AI, infamously named his company Palantir, the same malevolent surveillance tool used by Sauron in The Lord of the Rings. For some, masks don’t really exist.
The other concierge
Speaking as someone who keeps his finger on the pulse of AI more on the Western side of the world, it’s strange to see a different side of the coin. Huang and Amon are icons. You can’t last two seconds without seeing a single mention of AI somewhere on the show floor. There’s a palpable electricity when talking about the potential of AI.
And to be fair, when I talked to a few developers and engineers, I can feel the optimism. One talked about a voice assistant that would suggest better gift ideas for her spouse based on their history. Another one passionately talked about how much gaming has been better with DLSS 4.5. They truly believe that AI can work to their (and our) benefit, and I believe them. Underneath the smarminess of tech billionaires are ordinary people who found ways to better society. That’s where the conversation about AI should start.
But that’s not what the people want. The people want the parties, the glitz and the glamor. And all these billionaires desperately want to be the next Steve Jobs, the next Great Gatsby. And everyone else wants someone to hate.
In Taiwan, it’s not easy to hate a Monsieur Gustave that wants to make you feel welcome. It’s much easier to come for a monster taking your land, your jobs, and your money.
In Taiwan, Monsieur Gustave can have his parties, his adoring friends, and his fancy leather jacket. But in the rest of the world, he finds in himself the caretaker of an entirely different hotel, The Shining’s Overlook Hotel. Beneath Monsieur Gustave is Jack Torrance, and he’s always been the caretaker.
“Here’s Jensen!”
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